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Black Panther breaks records, maintains box office lead

by the El Reportero’s news services

Disney and Marvel’s Black Panther’ continued an impressive run, adding $100 million in its second weekend in U.S. theaters for a total of 700 million, becoming only the fourth movie to achieve the feat.

The film also topped past rivals such as ‘Marvel’s Avengers’ and ‘Marvel’s Avengers’ to claim the title of second best sophomore weekend in U.S. box office history.
Worldwide, Black Panther’ added $191.8M with $108.0M of that coming from North American territories over the weekend, according to figures compiled by comScore.

To date, in all markets, the film has racked up an impressive $704m in cumulative revenue in just two weeks.

The Tsars of the Russian Ballet for the First Time in Bolivia

The Tsars of the Russian Ballet will exhibit their art for the first time in Bolivia with three presentations in the departments of La Paz and Cochabamba, local media reported today.

The cast is named for awards received in international ballet competitions, as published by the newspaper Cambio.

The presentations will take place on March 6 and 7 at the Alberto Saavedra Pérez Municipal Theater in La Paz, and on March 8 in Cochabamba, at the Coliseum of the Santa María German School.

The program of the famous cast includes the interpretation of part of the universal repertoire of classical ballet, with pieces like The Swan Lake, The Corsair, The Nutcracker, The Bayadera, The Death of the Swan and other beautiful works performed by notable dancers of the imperial theaters Russians.

Among the soloists are Ivan Sitnikov, Eugenia Abratzova, Yulia Makhalina, Kirill Safin and Sergei Kononenko.

The Zares that visit Bolivia delighted the audience in venues such as the Marinsky in St. Petersburg, the Paris Opera, the Opera of Sydney, the great theaters in New York and the most important in Latin America, including Buenos Aires, Mexico, Bogotá and Lima, as well as in the Middle East, Japan and China.

Cuban Dance Company Receives Nomination to British Award

Cuban dance company Acosta Danza celebrated its nomination to British Robert Robson Award in the Manchester Theatre Awards Monday.

With such recognition, the Cuban company is being inserted in the category for Best Dance Show, together with British emblematic English National Ballet and the Rambert Dance Company, just two years after the foundation of the Cuban dance company.

The Manchester Theatre Awards are among the most prestigious awards of the performing arts in the United Kingdom. For winning, the specialized critics selects the best shows presented in Greater Manchester (county of Manchester) during the year.

In 2017, Acosta Danza performed with critical and public success on October 12 and 14, at The Lowry Theater, in the City of Salford, in Manchester.

The young group presented a program composed of the pieces El cruce sobre el Niagara, by Marianela Boán; Belles Lettres, by Justin Peck; Imponderable, by Goyo Montero; Mermaid, choreography by Sidi Larbi and Twelve, by Jorge Crecis.

Acosta Danza aims to offer integrating shows from the contemporary and the neoclassical, without discarding other expressions, times and styles of dance art.

Jenny and the Mexicats celebrate 10 years with US and Europe tour

Jenny and the Mexicats, a group that demonstrates to us that there are no borders when it comes to music, announced their return to the U.S. with a new tour that will take them to 19 cities starting on February 28. The first stop will be in Washington, D.C. and the dates will intertwine with their European tour where the quartet’s growth and popularity has intensified in the last year, forcing them to extend their tours and their stay.

The group formed by an English woman, two Mexicans and a Spaniard, celebrate their 10th anniversary.

Jenny and the Mexicats is a group that does not look like any other. It is a fusion of nationalities and personalities; a band that had its beginnings in Madrid under the name of Pachucos y la Princesa in June 2008 with a very particular history: demonstrating serendipity at its finest.

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Boxing Schedule – The Sport of Gentlemen

FEBRUARY 16, 2018
Reno-Sparks, Reno, NV, USA (ESPN / ESPN Deportes)
• Raymundo Beltran vs. Paulus Moses
FEBRUARY 17, 2018
Mandalay Bay, Las Vegas, NV, USA (Showtime)
• Danny Garcia vs. Brandon Rios
• David Benavidez vs. Ronald Gavril
Manchester Arena, Lancashire, UK (ITV PPV)
• George Groves vs. Chris Eubank Jr
• Ryan Walsh vs. Isaac Lowe
• Arfan Iqbal vs. Simon Vallily
FEBRUARY 24, 2018
Forum, Inglewood, CA, USA (HBO)
• Wisaksil Wangek vs. Juan Francisco Estrada
• Brian Viloria vs. Artem Dalakian
• Carlos Cuadras vs. McWilliams Arroyo
FEBRUARY 28, 2018
Korakuen Hall, Tokyo, Japan
• Daniel Roman vs. Ryo Matsumoto

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Teatro Nahual presents The imperfect married

by the El Reportero’s staff

The imperfect married presented by Teatro Nahual represents the daily life of a married couple living in the suburbs of a large city.

This marriage can represent the living image of any couple that apparently has an admirable relationship, children, a house, comforts and a stable job; where the husband is the provider of the family.

However, a seemingly stable family life can be turned into a pandora’s box by closing the doors of the house and entering into privacy where the probable and unusual human weaknesses manifest in a faraus manner.

At 7:30 p.m. on Feb. 17 (Premier), and the 24, on March 3, 10 and 17; on Sundays March 11 and 18.

Discount for teachers and students with school credentials. Tickets $ 20.00.

Premier: $30 (includes reception and be part of the raffle).

Ticket sales at the door, online and by telephone 650-793-0783, info@teatronahual.org.

At the MACLA (MACLA / Latin American Art and Culture Movement), 510 South 1st Street San Jose.

The Gustafer Yellowgold Show at the SFPL

Grammy® nominated Morgan Taylor brings music and animation to the Main Library
 
San Francisco Public Library is excited to hold the only free Bay Area appearance of the Gustafer Yellowgold show. Described by the New York Times as “Dr. Seuss Meets ‘Yellow Submarine’,” Grammy® nominated artist, Morgan Taylor, brings his one-of-a-kind music and animation show to the Main Library on Sunday, Feb. 25. 

Taylor will be featuring material from his new album “Brighter Side” alongside classic fan favorites.  Taylor’s funny and touching multimedia presentation about a little guy from the Sun who landed in the Minnesota woods has loads of adult crossover appeal, making Gustafer Yellowgold’s show a truly all-ages experience.

  “Coming to the Bay Area and seeing the familiar and new faces in my audiences is always a highlight of my year,” exclaimed Morgan Taylor. “Performing in the library enables me to reach a much more diverse audience, where I can make a connection with parents and children who might not otherwise get a chance to catch one of my performances.” When asked whether Baconstein will make an appearance, Taylor replied: “In more ways than one. Oh, that magic meat.”

 Funded by Friends of the San Francisco Public Library. All programs at the Library are free.

Sunday, Feb. 25, 2 p.m., Koret Auditorium, Main Library, 100 Larkin Street, San Francisco.

Brazilian Carnaval Ball 2018 The Official Ball

Celebrating 51 years. Featuring Neguinho Da Beija Flor Samba School, Aquarela Samba Dancers and Dj Double B Playing the Authentic Carnaval Music and Funk.

Non Stop music and dancing. Friday Feb 23, at Broadway Studios, 435 Broadway St. San Francisco. Advanced tickets available in the Brazilian Stores in the Bay Area and online, more info at 415-425-7242 http://www.brazilianevents.com.

Rabbi Hole, a family drama comedy

Rabbit Hole is a family drama that charts a grieving family through a empathic search for comfort in the darkest of places and a path that will lead them back into the light of day. Becca and Howie Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. A play that will make you laugh.

Cast members include Steve Bologna (Breach Once More Artistic Director), Amber Collins-Crane, Mary Price Moore, Mia Romero, and Hector Mendez. Managing Director Lauren Burgat and Company Manager Sara Ramos.

On March 2 – 24, Thurs., Fri., and Sat. at 8 p.m., at Breach Once More / Young Performers Theatre – 2 Marina Blvd, Fort Mason C, #300 San Francisco. For more info call 415.283.8911. www.breachoncemore.org.

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Punta del Este Festival opens in Uruguay

by the El Reportero’s news services

The Brazilian film João, O Maestro, by Mauro Lima, inaugurates today the 21st edition of Punta del Este International Film Festival, in Uruguay, where over 50 national and foreign films will be screened.

With the award for the career of filmmaker Silvio Caiozzi in the Sala Cantegril, this film festival will begin, which will run until Feb. 25.

The festival, considered the most important of its kind in the country and among the best in South America, will show productions from the region and Spain, as well as proposals from Japan, South Korea, Palestine and the independent cinema of the United States, among other nations.

In addition to the world cinema productions, 12 films will be in the Ibero-American Competition and for the first time ‘Maldonado Filma’ will be presented, according to the schedule announced by the organizing committee.

This initiative will show a dozen audiovisuals made in the homonymous department of the southeast of the country that were chosen by the Audiovisual Incentive Fund of the Municipality and were finalists in the 48th Film Festival.

The Filmusic Fest, in its third edition, will display productions about the lives of music personalities, which include films such as Vinicius, Yo Sandro y Chavela this year.

As in previous days, the Festival of Punta del Este will deliver the ‘Mauricio Litman’ awards in the categories of Best Film, Best Director, Best Actress, Best Actor and Audience Award.

The festival of celluloid will reach other cities in the territory such as Piriapolis and Aigua, among others, the organizing authorities said.
Argentine actor Miguel Angel Sola will be one of the guests of a week film event and will present the film ´El último traje.´

This event has the support of the Ministry of Tourism and is linked to other festivals such as Rio de Janeiro, Florianopolis, Rosario, Gramado, and is part of the strategy for the development of the audiovisual industry in Uruguay.

Mexico’s Vive Latino reveals 2018 lineup

Mexico City’s annual rock festival, Vive Latino, returns March 17th-18th at Foro Sol.

This year’s lineup boasts Gorillaz, Queens of the Stone Age, Morrissey, and Noel Gallagher’s High Flying Birds at the top of its bill. Other notables include Infected Mushroom, Pussy Riot, Kali Uchis, Little Dragon, Mexican Institute of Sound, PVRIS, and Chicano Batman, along with a host of Mexican and Spanish acts.

The 4-day Vive Latino, which began in 2000, is a massive annual rock, alternative rock, and Latin American music festival, that is held in Mexico City’s Foro Sol (Sun Forum), each spring between late March and early May.

Upwards of 70,000 high-energy music lovers each day swarm Vive Latino, endlessly moving, clapping, singing, and rocking to the beats a huge bill of acts playing a variety of genres, some well outside of the mainstream. Latina rappers? The best perform in the Vive Latino lineup. Legendary international bands rock on the main stage and up and coming Latin American artists are also prevalent.

Vive Latino, as the name suggests, started with a focus on Latin American music, but has grown with groups from other regions and in other languages besides Spanish and English, expanding each year to one of the largest and most significant music festivals in the world.

Tickets and other information can be found on the festival’s website http://www.vivelatino.com.mx/.

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Mazatlán Carnival gets increased security

An estimated half a million people turned out for Sunday’s parade

by the El Reportero’s news services

The Mazatlán Carnival will conclude tonight after five days of celebrations that were marred by a murder on Sunday.

But as of this afternoon that was the only incident of violence at the event whose first of two parades drew an estimated half a million people Sunday evening.
From the start there was a strong police presence on hand, but that was reinforced after an altercation early Sunday morning in the Flamingos neighborhood that left one man dead and another injured.

In response and in an attempt to quell any further violence, the state Secretariat of Public Security strengthened the carnival’s security operations by deploying more police officers to the most crowded areas.

They were joined by canine units trained in detecting narcotics.

Sunday’s parade delighted many thousands of residents and visitors, who spent more than three hours viewing more than 30 floats.

Local authorities reported that on each night an average of 90,000 people, including locals and domestic and foreign visitors, have poured into the streets of the port city.

The 2018 carnival concludes today with a second parade scheduled to start at 4:30 p.m.

Source: El Universal (sp), El Sol de Mazatlán (sp)

The XIV International Poetry Festival of Nicaragua begins with 130 poets

The XIV International Poetry Festival of Granada, in Nicaragua, officially inaugurated on Tuesday, Feb. 13, the largest in Central America and bringing together 130 poets from 60 countries.

“Welcome poets of the world, who are the voices and the soul of your country, all of you are main guests in the land of (Rubén) Darío (1867-1916)”, said Nicaraguan poet Francisco de Asís Fernández, president of the Festival, in his speech from the Plaza de Independence, in Granada, 45 kilometers southeast of Managua.

Fernandez said that “this wonderful cultural project”, from its first edition in 2005 to date, has gathered more than 1,500 poets from 120 countries.

He remarked that 2017 “took drops of blood from our festival”, recalling the deaths of Nicaraguan poets Carlos Rigby, Ana Ilce Gomez, Julio Cabrales and now the recently deceased Claribel Alegría, “the poet who owns the sea who only gave love”, I note.

The poet urged his counterparts to unite “our songs, our energies, ideals and build together an unattainable wall in which indifference, discrimination, perversity, hatred and lack of love for a better world collide.”

Federal iudge indemnifies 21 US graffiti artists

The sentence of a federal judge of Brooklyn favored today 21 graffiti artists with a compensation of 6.7 million dollars, after the demolition of a building considered a world mecca of urban art.

The verdict forces the current owner of the facility, Jerry Wolkoff, to pay the 21 artists the high compensation for destroying the building in 2014 to build luxury apartments instead.

The aerosol murals in the complex known as 5 Pointz, located in Long Island City, were for two decades a tourist attraction and temple of the best and largest outdoor exhibition of street art.

The ruling considers that a total of 45 of the works made on the walls of the building were worthy of being preserved from any negligent act by the Law of Rights of the Visual Artists of 1990, and condemns the owner to the greater indemnity provided.

A year before the demolition, the owner of the building had painted all the white walls in order to erase the graffiti, without having given time to safeguard some creations.

Several experts of contemporary art, cited during the judicial process, certified the quality of the lost works.

Prestigious jury at Viña del Mar Festival

Viña del Mar has the privilege of hosting one of the few International Song Festivals still having an impact, as the edition to begin on Feb. 20 seems to show.

Cuban duo Gente de Zona, Prince Royce, Ha Ash, Zion and Lennox and Chileans Roberto Márquez, member of the Illapu band, and Augusto Schuster, will be part of the jury of the event, to be run until Sunday, Feb. 25.

The 59th Viña del Mar International Song Festival will feature the performances of Luis Fonsi, Miguel Bossé, Carlos Vives and duo Gente de Zona, among others.
Puerto Rican Fonsi, acclaimed for his success Despacito, will perform on Wednesday, February 21, without Daddy Yankee, but with the expectation of singing along with Cuban duo Gente de Zona, something that has already happened in the past.

CNCO, a group emerged in Miami with young people of different nationalities, Chilean dancer and guitarist Schuster, and Puerto Rican reggaeton singers Zion and Lennox, will close the festival on Sunday, Feb. 25.

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Grupo La Cuneta Son Machin performs in SF and visits El ReporteroTV

by Marvin Ramírez and the news services of El Reportero

This week San Francisco dressed in Cañambuco and Fritanga with the music of a Nicaraguan musical group whose mix of rhythms and names of their songs is already causing musical and cultural sensation internationally.

On a long tour of several US states, Grammy nominees, La Cuneta Son Machin made a stop in San Francisco as part of a tour of several California cities, at a concert on Wednesday, Feb. 7 at Slim’s, after they had a presentation on Monday, Feb. 5 at Harlow’s in Sacramento.

In an interview full of flavor and curiosity in the TV studios of El ReporteroTV, the actress and presenter, Vicky Contreras, drew from two of its members – the singer, Carlos Guillén, ‘Bean’, and the bassist, Augusto Mejía, the sentiment and mission of the group, and excited them to play two of their successes in the studio. (The interview will air at the elreportero-TV.com and shared on social media).

Unfortunately, the other members (the other three) could not attend the interview, since they are going to rent they were damaged on the way to the studio, having them to stay to unload and load their luggage and instruments.

The US tour includes the states of California, Colorado and Texas. In California they will perform in several cities, including Orange County, Santa Cruz, San Diego, where they will open the Los Angeles Blues tour.

The group La Cuneta Son Machin is a group of Nicaraguan musicians that since 2009 proposed the fusion of popular music from Nicaragua and Latin America with new musical trends such as rock, ska, hip hop and funk, thus creating a project musical and audiovisual that has generated a great impact in the Central American musical art.

Two of its five members are part of the Mejía Godoy family, a family of internationally renowned artists, which for three generations has come here in the role of popular and social music, with Carlos and Luis Mejía as main figures. Godoy, two singer-songwriters and ambassadors worldwide of Nicaraguan music.

Currently “La Cuneta”, whose penultimate album Mondongo was nominated for the Grammy in 2016, is one of the most important Central American bands with the greatest international projection. The group released its new album, Cañambuco on May 19, 2017 worldwide.

Panamanian cinema to reach national public schools

For the second time, the Panalandia Poor Film Festival will reach five public schools in the country, from February 27 to March 3, with film screenings and appreciation classes on the seventh art.

‘This means that they (the teachers) will be able to use cinema as a tool to teach their children,’ audiovisual producer Said Isaac, director of the event, explained to the press.

Isaac stated that as part of the sample of winning films in previous editions, there will be an exchange of opinions between teachers and students.

He said that this year, Panalandia will be simultaneously present in several cities of the national territory such as David, Boquete, and Volcán, in the western province of Chiriquí; Penonomé, in the central Coclé, and Colón, in the homonymous region, as well as including open-air screenings and live music.

Of the 172 productions registered, 112 national and 43 Central American films were pre-selected, because ‘the Festival is interested in how the stories are told, what the themes are and if the story is their own’, explained the coordinator of the juries Nyra Soberón.

Latin Pop-Rock Groups Los Enanitos Verdes & Hombres G 

Two of the most iconic Latin pop-rock groups from the 80’s and 90’s, Enanitos Verdes and Hombres G, announced today they will bring their “Huevos Revueltos” Tour to the United States this June. The 14-date tour, produced by Live Nation and Frías Entertainment, will kick off June 1 in Las Vegas, NV and include a run of theaters and arenas across the country. The groups will perform at famous venues across the U.S. including the Hollywood Bowl in Los Angeles, on June 2, The Masonic in San Francisco on June 3.

Originally from Mendoza, Argentina, Enanitos Verdes is a legendary pop-rock group for generations of fans throughout Latin America, with a great musical history full of awards, nominations and prestigious recognitions in multiple countries throughout their career.

Hombres G is a Spanish band formed in 1983 and is undoubtedly one of the most prominent groups of the 80s and 90s in Ibero-America.

Tickets will go on sale to the general public beginning Friday, February 9 at 10am local time at LiveNation.com.

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The Matrix Revealed: cartels that run the world

by Jon Rappoport

The following information comes from insider interviews with Ellis Medavoy and Richard Bell, two people I interview extensively in my collection, The Matrix Revealed. This is just a brief taste of what they have to say…

Major institutions on this planet that control Military, Money, Energy, Government, Medical, Corporate, Media, and Education are becoming, more and more, global cartels, horizontally integrated across national borders.

This is more than a top-down command process. It’s organically evolving. Three steps forward, two steps back. There is a great deal of competition among the components of a given cartel, but there is also cooperation. And in the long run, the see-saw is tipping in the direction of cooperation, as these entities realize they may well have more to gain that way.

I can’t stress too strongly this evolving process. All attempts to merely assume twelve men in a room run the planet fall woefully short.

Instead, over time, people who lead a powerful institution (like Energy, for example) look out and recognize more major players, and in this recognition there is an impulse to compete and win and destroy, but there is also an impulse to build commonality and therefore monopolize the entire territory.

During one conversation with retired master propagandist Ellis Medavoy, I asked him about the extent of mutual cooperation in his given field, psychological warfare. He responded:

“Twenty years ago, I would have said we were all operating separately and jealously. Each of us was mining his own contacts and building his false pictures of reality for the masses. But then things began to change. Globally. First of all, more of us were pushing the same holograms. And because communication and travel were speeding up so rapidly, we were working a lot of the same venues. We would run into each other more often. We began to share information. I mean, it was cautious. We weren’t gushing with unbridled love, I assure you. The competitive factor was still strong. And we had fights. But through all that, we began to see through the fog, so to speak. We began to understand the effectiveness of cooperating. We would test each other with privileged information, to see if we could trust each other to keep it private. A tidbit here, a tidbit there.

“And you see, behind us, other groups were finding commonality, too. For example, in the area of medical propaganda, where I operated a lot of the time. And these groups saw they could join together for specific operations, on an international scale. They could push enormous lies globally, and everyone of their class would profit and gain wider control. So I would find myself working with a psy warfare guy from, say, France, or Germany in a joint venture. We would rub elbows. We’d be feeding from the same basic money trough.

“We’d both be briefed by a team of intelligence experts, and those experts would be of several nationalities. Slowly, I saw a new kind of umbrella structure emerging.
“See, suppose during the secret lead-up to a planned economic crisis [money cartel], you can distract everybody with a phony epidemic [medical cartel]. Do you see? Leaders perceive a reason to cooperate. Planners become more intelligent and clever. They reach across lines they never would have reached across before…

“You begin to see the outlines of a much more inclusive future structure. This is multi-front warfare.”

Richard Bell, another former insider, said to me: “People like to assume that money is everything. If you can limit the amount of money the public has, eventually they weaken and cave in and they’re easier to control. And this is certainly true. But on the other hand, as mega-corporations gain more power and range and markets, you have a clash, because those corporations, which are now cooperating in ways they never have, as a cartel in some respects, want customers for their products. They don’t want abject poverty across the board. People have to be able to buy their products.

“So there is a heavy conflict. It’s a conflict between elite bankers [money cartel] and mega-corporations [corporation cartel]. It needs to be resolved through advance planning, over the long term. So now you have these powerful men sitting down and talking in a new way. Other big-time players get involved, too [government, media, energy cartels, for example].”

This is just the beginning of what these people have to say about the Matrix in their interviews and how it REALLY works.

(Jon Rappoport es el autor The Matrix Revealed, Exit From The Matrix, and Power Outside The Matrix).

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The tyranny of the minority: A post-Charlottesville theory of the First Amendment

by David Snyder
First Amendment Coalition

The framers of the U.S. Constitution understood the protections of the First Amendment to be a bulwark against the “tyranny of the majority” — a shield to protect those with unpopular views against oppression by a popularly elected majority.

President Donald Trump has turned this concept on its head, at least in his rhetoric. His statements have offered the support of the most powerful elected office in the land to views that the vast majority of Americans have rejected. He has, perhaps, instituted a “tyranny of the minority,” in which a (vanishingly small) minority viewpoint has not only the protections of the First Amendment behind it, but the full force of the American government at its service.

So when free-speech advocates such as myself opine that white supremacist Richard Spencer and his supporters are entitled to First Amendment protection against the “tyranny of the majority,” our pleas often fall on deaf ears. There is a broad sense that Spencer and his ilk should not be “given a platform” for their hate, the First Amendment notwithstanding — that speech which has the imprimatur of the White House behind it, and which is so harmful to so many, is the last thing in need of protection. Thus, calls to silence fringe views have grown over the course of the past year with alarming speed.

This is dangerous territory. Banning speech is banning speech, no matter how odious that speech may be. It’s something Americans don’t do — or at least something our better angels would have us not do.

So how to account for the apparently widespread belief that “hate speech” such as Spencer’s can and should be banned? Has there been some broad-scale, collective forgetting of the fundamental First Amendment principle that virtually all speech, no matter how noxious, deserves protection? Have Twitter’s terms of use — which generally bar “hate speech,” while the First Amendment does not — fundamentally altered our expectations of what speech is “allowed” and what speech is not?

Perhaps. But here’s another explanation: when the president of the United States asserts that “both sides are to blame” for the violence that erupted in Charlottesville, people rightly sense that a government elected by a popular (electoral college) majority is forcing a distinctly minority viewpoint down the people’s throats — that the minority is, in some way, oppressing the majority. The First Amendment feels more like a sword wielded by the minority than a shield to protect that minority.

This sense is not unusual in the annals of U.S. presidential politics. It is not at all uncommon for a president to embrace and promote some views or policies that a majority of Americans disagree with. What is unusual, and is perhaps sui generis, is for a president to embrace (or at least fail to unequivocally denounce) views, such as neo-Nazism, that have been overwhelmingly and vehemently rejected by the vast majority of Americans — and to do so on such a broad range of issues, from climate change (which more than three-quarters of American public believe is real, but which the Trump administration questions the existence of) to the need for Trump’s border wall.

But in both a “real world” and a legal sense, this feeling is wrong: neo-Nazism is a minority viewpoint and it is thus vulnerable, from a First Amendment perspective, to majority oppression. It is subject to protection by the courts, and the fact that the president appears to have at least tacitly endorsed it does not change the fact that an overwhelming majority views it as abhorrently fringe.

So, my advice to those who would reject the “tyranny of the majority” principle in light of the Trump administration’s perversion of the concept: This, too, shall pass. Don’t throw out your constitutional birthright for what may well be a passing outrage. Majorities change. An elected leader who repeatedly embraces truly minority views eventually will find himself in the minority at the ballot box.

To be sure, the “tyranny of the majority” concept can be an uncomfortable fit in a representative democracy. It requires the state — in practice, the courts — to protect ideas and viewpoints that a majority of voters have rejected. In a system where the government is supposed to express the popular will of the people, this “feels” like a rejection of the basic premise of democracy.

And yet the idea is fundamental to the American project. The Founders ascribed such importance to the right of free speech (among other rights) that they enshrined it in our Constitution, to be protected irrespective of the “will of the majority” — in other words, irrespective of the basic premise of any true democracy.

With Trump’s ascension, has an ideological minority “hijacked” the force and power of the political majority? Maybe. But the proper solution, reflected in our founding principles, is to replace a “majority” that does not truly reflect a majority of the population with one that does. This is the point of elections. Yet only time will tell whether Trump’s fringe views will harm him at the ballot box in 2020.

“The tyranny of the minority: A post-Charlottesville theory of the First Amendment” by David Snyder, Executive Director of the First Amendment Coalition, first appeared in The Hill.

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Another mental case shoots up Florida school

NOTE FROM THE EDITOR

Dear Readers:

How do we stop a mass shooter in a situation like the one we have heard about in Florida? With this question in mind, I bring to you the following article written by Bob Adelmann, who with much cleverness offers a sound solution at the end. — MR

by Bob Adelmann

Almost immediately after the shooting at Marjory Stoneman Douglas High School in Parkland, Florida, on Wednesday afternoon, anti-gun group Everytown for Gun Safety decried it as the sixth school shooting so far this year. Others claimed that the shooter, Nikolas Cruz, a 19-year-old who was previously expelled from the school for disciplinary reasons, was a mental case who should never have had a firearm in the first place. In most media the common theme was the danger of guns and their proliferation.

Cruz left abundant clues about his mental instability: gruesome pictures he published on social media of animals that he had brutally killed, claims that he wrote “Allahu Akbar” on Instagram, revelations that the FBI knew of his erratic behavior months ago when it was reported to them by one of Cruz’s classmates, the decision to expel him last year from the same school he attacked for “disciplinary” reasons, classmates being intimidated by him and avoiding contact with him because he was “weird” and a “loner,” and so forth.

Regardless of his mental condition, Cruz carefully planned the assault. He entered the building near the end of the class day on Wednesday, wearing a gas mask and armed with smoke grenades and firearms. He set the grenades off and then triggered the fire-alarm system, which sent students scurrying into the halls where Cruz picked them off one by one with his rifle.

Twelve of the people he shot were found dead inside the school building, while two others were killed just outside and another one on a street near the school. In all, Cruz murdered 17 and wounded dozens more.

He wasn’t found and arrested until nearly two hours later, as he had left the building and deliberately blended into the crowd of fleeing students. Surveillance cameras later picked him out of the crowd, and he was discovered, arrested, and taken into custody about two miles away from the school. He’s being charged with 17 counts of first-degree murder.

President Trump agreed with the assessment that Cruz was unstable when he tweeted: “So many signs that the Florida shooter was mentally disturbed. Neighbors and classmates knew he was a big problem.” This view was confirmed by one of Cruz’s former classmates, Matthew Walker, who told a local television station that he “knew it was going to be him. A lot of kids threw jokes around saying that he was going to be the one to shoot up the school. It turns out that everyone predicted it. That’s crazy.”

Some of the school’s teachers knew Cruz was a problem and a danger, including his former math teacher, Jim Gard. Gard told the Miami Herald last year that Cruz “wasn’t allowed on campus with a backpack on him. There were problems with him last year threatening students and … he was asked to leave campus.”

Solutions to the problem of mental cases such as this surfaced immediately, nearly all of them asking the wrong question: How do we keep guns out of the hands of crazies? President Trump tweeted his solution: “Must always report such instances to authorities, again and again!”

Broward County Sheriff Scott Israel offered his solution:

If you are on a website and you know something or you’ve seen something, you see a person with rifles and weaponry, and you see something that’s not right, you owe it to your family, you owe it to your community and you owe it to law enforcement to make this a safer nation by calling up someone tonight.

Call up the FBI, call up the Broward Sheriff’s Office, call up someone tonight and let them know that you have information that something’s not right. You can prevent a major tragedy like this devastation that happened in Parkland tonight.

So the solution appears to consist of turning every student into a snitch whenever strange — definition yet to be defined — behavior is observed. Of course, if students bought into such a plan, each separate clique of students in each school in the country would likely single out several people. Are they all going to lose their gun rights, or will they pass some sort of superficial review, as Cruz apparently did. Big Brother here we come!

The problem with giving government the power to determine who is crazy, as some are suggesting, is the risk that the government eventually declares everyone crazy and therefore no one is entitled to exercise their Second Amendment rights.

Unnoticed or deliberately missing from the discussion over solutions on how to avoid ghastly atrocities such as this one from occurring in the future is the issue of armed adults being prohibited from carrying on school grounds and consequently unable to protect themselves thanks to “gun free” zones. Cruz walked right by two police cruisers on his way into the halls of Marjory Stone Douglas High School, knowing that, once inside, there would be no one there to return fire. Under Florida law it was a “safe zone” for shooters, and Cruz knew it.

In a world increasingly populated with crazies such as Cruz, there is no way that a “hardening” of the site will work: cameras, metal detectors, police cruisers in the parking lot, etc. Even if one is crazy, he may be still smart enough, like Cruz was, to work his way inside, knowing that once inside he would be free to wreak the havoc the mainstream media would only be too happy to publish in all its lurid bright red details, through hundreds of videos of dead and dying students.

It would only have taken one individual — an adult student, teacher, janitor, or administrator — armed and with skill at arms, to have solved the problem of Cruz. But somehow, in the twisted logic of anti-gunners, by attempting to make Florida schools safe by declaring them to be “gun free,” they have instead turned them into shooting galleries.

An Ivy League graduate and former investment advisor, Bob is a regular contributor to The New American magazine and blogs frequently at LightFromTheRight.com, primarily on economics and politics. He can be reached at badelmann@thenewamerican.com.

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RussiaGate is all sbout stopping US ‘momentum to a Police State’

FROM THE EDITOR

Dear readers:

Much has been said in the news about a conspiracy that Russia interfered in the US elections, and because of the mainstream media that has been banging on the subjects so much, the people don’t know what to believe anymore. The following article, written by Paul Craigs Roberts, a respected investigative journalist and author, brings some interesting points in his analysis, which will enlighten us all. – MR

RussiaGate is all sbout stopping US ‘momentum to a Police State’

“If the highest reaches of the police state agencies can get away with an attempted or successful coup against the president of the United States, then that is the complete end of democracy and all accountability in government.”

by Paul Craig Roberts

The Republicans’ delay in releasing the summary of the House Intelligence Committee’s Russiagate investigation is giving weight to the presstitutes’ claim that the report is not being released, because it is a hack attempt at a Trump coverup that is not believable. Only Republicans are stupid enough to put themselves in such a situation.

Readers ask me why the summary memo is not released if it is real. There must be some reasons besides the stupidity of Republicans. Yes, that is so. Among the many reasons that might be blocking release are:

1) Republicans are very national security conscious. They don’t want to provide precedents for the release of classified information.

2) Many Republican congressional districts host installations of the military/security complex. Upsetting a large employer and directing campaign financing to a challenger is a big consideration.

3) The George W. Bush/Dick Cheney regime was a neoconservative regime. One consequence is that Republicans are influenced by neoconservatives who stress the alleged “Russian threat.”

4) The Israel Lobby can unseat any member of the House and Senate. The Israel Lobby is allied with the neoconservatives and this alliance intends to keep the US militarily active against perceived threats to Israel’s hegemony in the Middle East and against Russia, which supports Syria and Iran, countries perceived as threats by Israel.

5) Many Republicans are themselves invested in false Russiagate allegations against Trump and would like to replace him with Pence. Other Republicans believe that Trump is undermining Washington’s expensively-purchased foreign alliances and, thereby, undermining US power.

Many Americans do not seem to understand what is at stake.

What America is confronted with is a coup conspiracy organized by top officials of the Obama Justice Department, FBI, CIA, the Hillary DNC, and the presstitute media to overturn the result of a democratic election and remove the president from office. The basis of the coup is a fake dossier purchased for money that consists of unsupported allegations against Trump and that was used to obtain warrants from the FISA count to spy on Trump and various associates hoping to find something that can be used against Trump. Regardless, the false allegations could be fed to the CIA’s media assets and used to create a scandal requiring a special prosecutor to investigate Russiagate.

Once the investigation was under way, the presstitutes kept the scandal alive hoping to convince enough Americans that Trump must have done something—“where there is smoke, there is fire”—that justifies his removal. It worked against Richard Nixon, but not against Ronald Reagan, and Trump is no Reagan.

If the highest reaches of the police state agencies can get away with an attempted or successful coup against the president of the United States, then that is the complete end of democracy and all accountability in government. The House, Senate, and judiciary will become as powerless as the Roman senate under the caesars. We will live under a dictatorship ruled by police state agencies.

Many Americans say they don’t need the House Intelligence Report, because they don’t believe the Russiagate BS in the first place. They miss the point. They need the report, because those responsible for this attempt at a coup must be identified, charged, and prosecuted for their act of high treason.

This is not minor stuff. This goes to the heart of whether any form of liberty will exist. We all know that the ability of the people to hold government accountable is not assured by democracy. However, there is no prospect of holding government accountable if it is a police state, a road that the US has been going down for some time. The audacious coup attempt against President Trump is our opportunity to stop the momentum to a police state.

Despite my recent postings, many people do not understand that the somewhat redacted FISA court document that has been declassified and released and explained by myself, William Binney, and former US Attorney Joe di Genova (see: https://www.paulcraigroberts.org/2018/01/22/here-are-all-the-facts-about-russiagate/ ) contains admissions by the FBI and DOJ that they improperly spied and obtained warrants from the court under false pretenses. In other words, we have it on the authority of the FISA court itself that the FBI and DOJ have admitted to the court their transgressions. When Department of Justice (sic) congressional liaison Stephen Boyd says the DOJ is “unaware of any wrongdoing,” he is lying through his teeth. The DOJ has already confessed its wrongdoing to the FISA court.

(See Lendman on Boyd’s claim that releasing the memo would harm national security and ongoing investigations. This is always the claim made when government has to cover up its crimes. http://stephenlendman.org/2018/01/memo-detailing-russiagate-abuses-names-high-level-us-officials/).

When Admiral Rodgers, director of the National Security Agency, discovered that the FBI and DOJ were misusing the spy system for partisan political reasons, he let it be known that he was going to inform the FISA court. This caused the FBI and DOJ to rush to the court in advance and confess to “mistakes” and to promise to tighten up procedures so as not to make mistakes in the future. It is these “mistakes” and corrections that the FISA court document reveals.

In other words, the information already exists in the pubic domain that proves that Russiagate was a conspiracy organized for the purpose of bringing down the elected president of the United States.

A case can be made that it would be just as well if the coup succeeds as it would bring an end to Washington’s cover as the government of a great democracy with liberty and justice for all. Most other governments, and one would hope certainly the Russian and Chinese governments, would see the coup as America’s final transition into a police state and give up their utopian ideas of reaching accommodation with Washington. The constraints on Washington’s ability to bully the world would be greatly strengthened by the universal perception that the government of the United States had devolved into a police state.

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