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Venezuela to host 8th International Theater Festival

by the El Reportero’s news services

The Venezuelan Ministry of Culture is preparing the Eighth International Theater Festival 2019, to be held from April 12 to 21 in this capital, where 30 national and eight international groups will participate.

The mayor of the Libertador municipality, of the Capital District, Erika Farías, explained in a press conference that the new edition of the appointment of the tables, called the Peace Scenario, has as a novelty the extension of the event to four states as subsedes: Zulia, Vargas , Falcón and Cojedes.

Also, the territorial leader said that the Venezuelan family can enjoy more than 400 activities, centered on five axes, with special emphasis on the community that began from April 1 with visits to 110 locations in Caracas, where the artists will exchange directly with the population.

Farías added that the activities for the children will be concentrated in the Alí Primera national park, where 20 groups will present puppet, dance, theater and circus shows. The mayor pointed out that another axis is that of theatrical halls, in which 49 companies will present their shows in 14 centers, among which the theaters Municipal, Bolívar, Nacional, Principal, Teresa Carreño, Casa del Artista, Rajatabla, Ana Julia Rojas stand out , Alameda, among others.

He added that the opening of the Festival will be in the vicinity of the Museum Square on April 12 at 7, while highlighting the participation of all State security agencies to ensure mobility and enjoyment citizen in the activities.

Farías during the statements to the press was accompanied by the Minister of Culture Ernesto Villegas, the president of the Foundation for Culture and the Arts (Fundarte), María Isabella Godoy, among other personalities.

The Curse of La Llorona

La Llorona (The Weeping Woman).  A horrifying apparition, c aught between Heaven and Hell, trapped in a terrible fate sealed by her own hand.  The mere mention of her name has struck terror around the world for generations.  

In life, she drowned her children in a jealous rage, throwing herself in the churning river after them as she wept in pain.  Now her tears are eternal.  They are lethal, and those who hear her death call in the night are doomed.  

La Llorona creeps in the shadows and preys on the children, desperate to replace her own.  As the centuries have passed, her desire has grown more voracious…and her methods more terrifying.

In 1970s Los Angeles, La Llorona is stalking the night—and the children. Ignoring the eerie warning of a troubled mother suspected of child endangerment, a social worker and her own small kids are soon drawn into a frightening supernatural realm.  

Their only hope to survive La Llorona’s deadly wrath may be a disillusioned priest and the mysticism he practices to keep evil at bay, on the fringes where fear and faith collide. 

On April 19, 2019, this timeless Mexican legend comes to terrifying life in New Line Cinema’s The Curse of La Llorona.

New cultural center for site of Mexico City army barracks

‘The biggest and most important artistic and cultural space in the world’

by the El Reportero’s news services

A new cultural center touted as the biggest in the world will be established on a military site in Mexico City, President López Obrador announced on Tuesday.
The president said that renowned artist Gabriel Orozco will direct the project in conjunction with the Secretariat of Culture and the Mexico City government.
The center will be built on an 800-hectare former military base that will become the fourth section of the Chapultepec Park.

“It’s going to be the biggest and most important artistic and cultural space in the world,” López Obrador said, adding that Orozco will not charge anything for his services.

A luxury real estate development had been planned for part of the site but López Obrador said last month that idea had been scrapped.

The president said today that the government already has the resources required to build the cultural center although he didn’t specify how much it would cost.
“Not a lot of funds will be needed because the creative side [of the project] is going to be provided voluntarily,” López Obrador said.

“We’ll seek not to waste resources, it’s not [a project of] buildings that will turn into white elephants,” he added.

López Obrador said that a detailed plan of the project, including its cost and how long it will take to complete, will be presented in two or three months.
Orozco, who said in 2015 that Mexico needed a contemporary art museum of the stature of New York’s Museum of Modern Art, Paris’ Centre Pompidou or London’s Tate Museum, described the opportunity to coordinate the cultural center as an “honor.”

The federal government has made a point of returning space formally occupied by the government to the people of Mexico.

The president’s former official residence, Los Pinos, has already been turned into a cultural center, and metal barricades that prevented citizens from getting close to the National Palace were removed shortly after López Obrador took office on December 1.

Protesters with a range of grievances have since established makeshift camps cheek by jowl with the facade of the National Palace, located in Mexico City’s downtown opposite the zócalo, or central square.

Source: El Financiero (sp), Milenio (sp).

Cecilia Suárez and Santiago Segura will be the hosts of the PLATINO Awards

We now have the names of the hosts of the 6thAnnual Platino Awards for Ibero-American Cinema. Cecilia Suárez and Santiago Segura will be the Masters of Ceremonies of this year’s edition of the highly prestigious awards.

The Mexican actress and the Spanish actor and director will be the hosts of the ceremony, which will be held on May 12 in the Grand Tlachco de Xcaret Theatre, in Riviera Maya, Mexico. The award show will be broadcast across Latin American on TNT via pay per view and on the main national television channels in open mode.

In this spectacular venue in the Mexican Riviera, Cecilia Suárez and Santiago Segura will present a gala that year after year is making an impact internationally and is now a benchmark in the Ibero-American audiovisual industry. They will host what promises to be an exciting night.

As well as presenting the event, Mexican actress Cecilia Suárez will also be among the four nominees for her role in The House of Flowers.

Uruguayans to enjoy originals by Pablo Picasso for the first time

by the El Reportero’s news services

Uruguayans since Friday have the possibility to appreciate first hand the creative genius of Spanish painter Pablo Picasso through 45 original works under exhibition in Montevideo up to June 30.

The National Director of Culture, Sergio Mautone, expressed the importance of hosting a very powerful exhibition of original paintings of the great Picasso.
He emphasized that this opportunity has paved the road ‘to implement some actions that are going to help Uruguay to bring from now on important pieces from renowned painters’.

The initiative to have Picasso’s works coming to Montevideo came from the Picassso-Paris National Museum, whose President Laurent Le Bon hosted this exhibition under Emmanuel Guigon’s curatorship, Director of the corresponding Museum in Barcelona and under French Embassy auspices.

Director of the Visual Arts Museum, which will host the exhibition, Enrique Aguerre, explained there will be a free day of the week, and always with that benefit for children under 12 and people with disabilities, while retirees will enjoy a significant discount.

He assured that also the students with teachers, who schedule visits, will have access without cost, and already ‘we have more than 14,000 with reservation’.

Harvard University appoints Chucho Valdés as Resident Teacher

The Office of Arts and the Jazz Band of Harvard University, United States, today named Cuban pianist Chucho Valdés as resident Jazz Master, due to his contribution to the development of said institution.

The appointment is granted to eminent artists linked to the entity with the aim of developing initiatives that provide new opportunities to university students, work directly with the classical repertoire and honor artists who have made a significant contribution to American music.

From April 8 to 12, Valdés – six-time winner of the Grammy Award and three of the Latin Grammy – will exchange with teachers and students as part of a meeting sponsored by the Arts Office and the Harvard Jazz Band, in association with the Program of Studies of Cuba and the Center David Rockefeller of the same house of high studies.

According to an official note on the university’s website, in addition to working and rehearsing, the musician will participate in a concert open to the public that under the title Puente Musical, will bring together several instrumentalists, among which the bassist Yunior Terry.

Valdés is one of the most influential figures of modern jazz, organic and personal style distills elements of the Afro-Cuban, classical, rock music tradition, among several.

The program in which the pianist will participate in Harvard is one of the most prestigious in the United States as it brings together distinguished artists in this art form whether world-renowned masters or emerging artists, honors them and allows connection with new generations.

In past editions have been named Resident Masters Benny Carter, Roy Haynes, Joe Lovano and Cassandra Wilson, who have played with the Harvard jazz bands for almost five decades.

The Arts Office maintains a recording archive of visiting artists in jazz, which is available to students and scholars through the Morse Music and Media Collection, the Lamont Library, as well as a collection of Tom Everett’s jazz manuscripts, at Eda Kuhn Loeb music library.

Iconic Latin alternative bands Aterciopelados & Los Amigos Invisibles announce U.S. tour

Internationally acclaimed bands, Colombian rock Aterciopelados and funk acid-jazz Venezuelan Los Amigos Invisibles, will be joining forces for a 10-city co-headlining tour for the first time together nationwide, kicking off at the Sony Hall in New York City on April 21st.

Three-time Latin Grammy winning and 2x Grammy nominated Aterciopelados, is one of the most important dynamic duos in the Latin American alternative music scene. Their latest album “Claroscura” (2018), praised by international media and awarded as the Best Alternative Album by the Latin Grammy.

Alongside Aterciopelados is Latin Grammy winning and 3x Grammy nominated group Los Amigos Invisibles, known for their blend of Afro-funk, disco, acid jazz and Latin rhythms. The band is one of the most recognized bands from Venezuela and the Latin American music scene, praised for their energetic live shows that have been presented worldwide in more than 60 countries.

Sixty-two years after the death of Pedro Infante, México still mourns

by the El Reportero’s news services

Like every April for 62 years, the Pantheon Garden of Mexico City is convulsing where is the tomb of Pedro Infante, eternal national idol, dead one day as today in a plane crash in Merida.

He was only 40 years old and, like his compatriot and admired Jorge Negrete who lies very close to his grave, he also died ‘in full glory and in full youth’.
Bench carpenter and apprentice of everything, always without a penny and eaten by poverty, at 22 years of age he began to travel fame thanks to his voice and his charisma.

That’s why he was heard repeating that ‘in the 15 years that I’ve been an artist, this has been the first care: not to be as I always was. Nothing has gone to my head and this produces its effects. Everywhere people do not admire me, but they love me.’

For posterity were his voice and his grace, his talent and his virtues in more than 350 songs and 60 films, achieved in a very short time, from his first recording of Guajirita, in 1937, in his native Sinaloa, and his first appearance in the cinema as an extra in 1939 in the film In a donkey three baturros, up to his most notable successes including the one considered his last film, School of thieves, of 1957. It was, and continues being famous his affirmation in a press interview in 1952 in the one that reveals his profession of faith:

I am not Mexican because I was born on this earth, which could be a simple accident. I am Mexican by conviction, because I love everything of our country, because I like the customs, the folklore, the landscape, the tradition and the Mexican sky.

‘For me, no other country is more beautiful than mine. And do not think I obey to a jingoistic and ridiculous feeling, but a natural inclination of admiration towards this unparalleled Tenochtitlan, so full of misunderstood people but so beautiful things in the face of who knows how to search and feel’.

For Cubans, a man who has said something so beautiful and profound about the land that saw him be born and give his life, is a source of pride that he also said: ‘Nowhere can there be more generosity, more enthusiasm than in Cuba. Say that I am willing to go whenever they call me and that if I am Mexican on all four sides, I feel Cuban at heart’.

At 62 years after his death, Mexico remains sad. Cuba too.

“The After” the official after-party of the 2019 Billboard Latin Music Awards

THE AFTER surrounded by Las Vegas’ lights and glamour, will also include special appearances by Universal Music Latin Entertainment emerging artists Elisama, Mariah and Colombian singer Greeicy

Telemundo and Universal Music Latin Entertainment will host THE AFTER, the official After Party of the 2019 Billboard Latin Music Awards. and will feature special performances by emerging artists Elisama, Mariah and Colombian singer Greeicy, with special DJ sets by Lafame and NYC’s Latin Mixx.

Attendees to include Luis Fonsi, Nicky Jam, Karol G, Sebastian Yatra, DJ Snake, and other celebrities, hosts, and singers who will come together to celebrate this year’s excellence in music.

The 2019 Billboard Latin Music Awards will air simultaneously on Telemundo Network and Spanish-language entertainment cable network UNIVERSO on Thursday April 25 at 8pm/7c live and will also feature presenters from television, film, music and social media influencers

Hispanic architect, former president of the 24th Street Merchants Association and the Cultural Center of the Mission, dies

NOTE FROM THE EDITOR:

The staff of El Reportero newspaper and especially its director, Marvin Ramírez, offer their sincere condolences to his brother, our colegue Roque Hernández, the video journalist of Univisón for more than 30 years, for whom it has been a very hard blow the departure of his brother and mentor.

by Roque Hernández

Transformed perhaps already in cosmic dust Jorge Alex Hernández-Mondragón passed away on Feb. 13, embarking on the journey to another dimension surrounded by his family and friends, who prepare their last goodbye the day he would be turning 66 years old.

The architect and artist spent his last years living in Corte Madera taking care of his son until he reached adulthood. He died in a hospital near his home after suffering a brain aneurysm.

Jorge Alex undertook the trip to another dimension surrounded by family, friendships.

He was born on April 27, 1952 in the Colonia Santa María la Ribera in Mexico City, to Pedro and Esperanza Hernández Mondragón, who gave life to wh would be their third of six children.

Today he is remembered as the man who always cared about the development of his Latino/Chicano community in the Bay Area.

Jorge graduated from the University of Santa Cruz, California.

In his college days he played for the Banana Slugs rugby team where he was known as Alex. The relationship with his teammates remained throughout the years.

Another of his passions was golf, a sport that he practiced together with his brothers on a frequent basis, as this was the “pretext” to gather as a family.

Education was always an important issue for him and in his search to educate migrant children he worked in the Salinas Migrant Education Program in 1970.

During his years in Santa Cruz his house was a lair to celebrate life. His family and friends frequented his home that they felt was theirs.

Jorge was one of the people who without a doubt died confessing to have lived their way, always with a full smile and with time to enjoy a game of golf or have a glass of wine with friends. In his busy schedule as an architect there was always time for his loved ones. He loved people and lived the moment as if he knew that death could come at any time without warning.

In addition to his legacy as cult promoter and architect, he also leaves us his pictorial work.

Drawing and painting were his passions where he let out the deepest feelings, full of color and mystery hidden in the abstract.

Jorge was part of the development of two community pillars in the San Francisco Hispanic community: He was the President of the Board of Directors of the Cultural Center of the Mission, where he developed multiple cultural projects, and also left a mark on him as president of the 24th Street Merchants Association, whose organization he led in times before the gentrification began, protecting Hispanic commerce in that corridor called the Latino Cultural District today.

He was an unforgettable character, a gentleman of the old style, worthy representative of the Latin American / Chicano culture.

A month after your death, his brother Roque asks: “where are your smiles, your hugs and looks that departed with you? What have you become, in color, in air, in ashes, in the wave of the sea? We also do not know, the only certain thing is that you’re gone.

“A big hug, brother, friend, father and colleague. On a cloudy day in February, you got ahead on the road. Today we live from your absence and memory. RIP. Until forever!”

He is survived by his son Lucas Evans, his stepson Theodore (Theo) Evans; his brothers Frank Hernández (m. Teresa), Roque Hernández and Eric Hernández (m. Anne); his sisters Martha Castro (m. Joseph [Joe]) and Connie Prosser (m. Charles [Charlie]) nieces Shelly Ann Jelus (m. Jeffery [Jeff]), Erica Hernández and Alex Marline McAuley (m. Blake); nephews Patrick Hernández (m. Jessica), Christopher Castro Seguin Pacheco, Ian Prosser, Garrett Hernandez and Sean Hernandez; grandchildren and granddaughters, and a lot of aunts, uncles, cousins and friends from around the world.

Eating apples and pears can reduce your risk of Type 2 diabetes

by Michelle Simmons

Type 2 diabetes is on the rise, but this chronic disease can be prevented with the help of dietary and lifestyle changes. A study published in the journal Food & Function suggested that eating apples and pears can cut your risk of this dreaded disease.

Researchers at Zhejiang University in China carried out a meta-analysis to determine the effect of apple and pear consumption on the risk of Type 2 diabetes. To do this, they gathered studies, literature reviews, and meta-analyses from journal databases that looked at the consumption of apple and/or pear in association with Type 2 diabetes. All included studies used a validated food frequency questionnaire.

The researchers reviewed five studies with a total of 228,215 participants, of which 14,120 have developed Type 2 diabetes. They also converted all consumption data into servings per week using a standard portion size of 106 grams per week.

The researchers found that the consumption of apples and pears was associated with a significant decrease in Type 2 diabetes risk – an 18 percent reduction. In addition, they found a dose-response relationship between apple and pear consumption and Type 2 diabetes risk. In particular, one, two, three, four, and five servings per week corresponded to respective reductions of three percent, eight percent, 12 percent, 15 percent, and 19 percent in Type 2 diabetes risk, respectively.

They believe that the protective effect of apples and pears against this chronic disease may be attributed to the fruits’ polyphenols, which have powerful antioxidant effects; soluble fiber, which slows gastric emptying, reduces postprandial blood sugar spikes, and is associated with reduced hyperinsulinemia; and other phytochemicals that may fight inflammation.

Based on these results, the researchers concluded that eating apples and pears was significantly associated with a lower risk of developing Type 2 diabetes. This finding is important because apples and pears are two of the most commonly consumed fruits around the world. In addition, these fruits also offer many beneficial compounds to the diet.

Preventing diabetes with whole fruits

Another study, which was published in the BMJ, also revealed that eating whole fruits can lower the risk of developing Type 2 diabetes. However, there are certain fruits that are more effective than others at preventing the disease.

Carried out by a team of researchers from Harvard University, the study used data from three long-running health studies that included 151,209 women and 36,173 men where the participants answered questionnaires about their lifestyle, diet, and health — particularly any diseases they’d developed — every few years for at least two decades. The Harvard researchers asked about 10 fruits, including apples or pears, bananas, blueberries, cantaloupe, grapes or raisins, grapefruit, oranges, peaches, plums or apricots, prunes, and strawberries.

The results revealed that blueberries were the most effective in warding off diabetes. Grapes came in second most effective, followed by apples. Bananas and grapefruit were also good in preventing diabetes, while strawberries did not have much of an effect. Cantaloupe, on the contrary, slightly increased the risk for Type 2 diabetes.

The researchers also explored the effect of fruit juice consumption and found that drinking all kinds of fruit juice, including apple, grapefruit, and orange, was associated with a higher risk of the disease. However, replacing three servings of fruit juice per week with blueberries reduced the risk of the disease by an average of 33 percent.

Lastly, the researchers suggested that the protective effect of blueberries, red grapes, and apples against Type 2 diabetes can be attributed to their high content of anthocyanins, which have been reported to increase glucose uptake in mice with diabetes.

When eating fruits, make sure that they are organic and free of pesticides. Strawberries, apples, grapes, peaches, and pears belong to the Environmental Working Group‘s (EWG) 2019 Dirty Dozen list of fruits and vegetables that contain pesticide residues. (Related: Make a list and check it twice: “Dirty Dozen” list of fruits and vegetables CONTAMINATED with pesticide residue).

Learn more on how to ward off diabetes by going to PreventDiabetes.news.

Sources include:

CMS.HerbalGram.org
BusinessInsider.com

Venezuela to host 8th International Theater Festival

by the El Reportero’s news services

The Venezuelan Ministry of Culture is preparing the Eighth International Theater Festival 2019, to be held from April 12 to 21 in this capital, where 30 national and eight international groups will participate.

The mayor of the Libertador municipality, of the Capital District, Erika Farías, explained in a press conference that the new edition of the appointment of the tables, called the Peace Scenario, has as a novelty the extension of the event to four states as subsedes: Zulia, Vargas, Falcón and Cojedes.

Also, the territorial leader said that the Venezuelan family can enjoy more than 400 activities, centered on five axes, with special emphasis on the community that began from April 1 with visits to 110 locations in Caracas, where the artists will exchange directly with the population.

Farías added that the activities for the children will be concentrated in the Alí Primera national park, where 20 groups will present puppet, dance, theater and circus shows. The mayor pointed out that another axis is that of theatrical halls, in which 49 companies will present their shows in 14 centers, among which the theaters Municipal, Bolívar, Nacional, Principal, Teresa Carreño, Casa del Artista, Rajatabla, Ana Julia Rojas stand out , Alameda, among others.

He added that the opening of the Festival will be in the vicinity of the Museum Square on April 12 at 7, while highlighting the participation of all State security agencies to ensure mobility and enjoyment citizen in the activities.

Farías during the statements to the press was accompanied by the Minister of Culture Ernesto Villegas, the president of the Foundation for Culture and the Arts (Fundarte), María Isabella Godoy, among other personalities.

The Curse of La Llorona

La Llorona (The Weeping Woman).  A horrifying apparition, c aught between Heaven and Hell, trapped in a terrible fate sealed by her own hand.  The mere mention of her name has struck terror around the world for generations.  

In life, she drowned her children in a jealous rage, throwing herself in the churning river after them as she wept in pain.  Now her tears are eternal.  They are lethal, and those who hear her death call in the night are doomed.  

La Llorona creeps in the shadows and preys on the children, desperate to replace her own.  As the centuries have passed, her desire has grown more voracious…and her methods more terrifying.

In 1970s Los Angeles, La Llorona is stalking the night—and the children. Ignoring the eerie warning of a troubled mother suspected of child endangerment, a social worker and her own small kids are soon drawn into a frightening supernatural realm.  

Their only hope to survive La Llorona’s deadly wrath may be a disillusioned priest and the mysticism he practices to keep evil at bay, on the fringes where fear and faith collide. 

On April 19, 2019, this timeless Mexican legend comes to terrifying life in New Line Cinema’s The Curse of La Llorona.

The metaphysical dream and reality

by Jon Rappoport

Hard showers of rain, sky clearing, warming temperatures, then cold, snow, quickly followed by the budding greenery of spring…a collision of seasons…

I was walking in the woods and came to a small cottage. The door was open. There was just one room. The walls were lined with shelves, and books filled the shelves. I picked one out and brought it to a small table and a chair. I sat down. There was a lighter, an open pack of small twisted cigars, and a glass bowl on the table. The book was bound in soft leather, and my birth date was engraved in silver on the cover. I opened the book.

It contained a shockingly detailed account of my life. There were no chapter headings—but instead, pages with decades indicated. 1940-50, 1950-60, and so on. I searched the pages until I came to one that announced a decade I had not yet lived. After a moment of reflection, I picked up the lighter, flicked it, and set the book on fire. It quickly burned down to ash. I scooped the ashes into my hand and poured them into the glass bowl. A small translucent figure appeared in the bowl.

“Right,” it said. “You’ve made a bold decision. Your future is now destroyed. You’re no longer part of the Great Plan for all human beings. You can strike out in any direction.”

“What’s the Great Plan?” I asked.

The figure smiled. “The ultimate collective destination and organization of beings. It’s the structure.”

“Then I’m satisfied,” I said. “I don’t want to be part of that.”

The little figure nodded. “Good luck,” it said, and faded out.

I walked out of the cottage and down a path in the forest. I came to a house. It was conventionally built, with two identical wings. But the wing to my left was broken by a series of blurred overlapping shapes. Inside and around this Thing were several people. I recognized their faces. They were not part of my past or future, and I couldn’t call up their names. They were changing the shapes. They were making space and time. There was no intention of coordination. But in some way, the evolving shapes did interact with one another.

Drawn to this activity, I walked into a multi-sided shape and began to invent my own forms. I erased some and added others. I felt a strange delight. I was in a place I always wanted to occupy.

I had no sense of copying forms. I was inventing them from zero. Space and time were null until I gave them shape. The other artists and I were apart from one another and also together, but the togetherness was not intrusive. There was no urge to collaborate or mimic one another. Space and time—their changing nature—were delicious. We were all free in the same way. Free meant FREE. Every line, every stroke we made carried a sense of spontaneous revelation. Look at THIS.
I knew my own past, but no details remained. It had all been absorbed and digested.

Then I began to see scenes—waves breaking and rolling on a distant beach, a black sky full of blinking stars, a great high waterfall pouring down in the middle of a jungle, ranges of mountains receding to the horizon—they were inside a giant frame that was labeled ETERNITY. I understood that I was supposed to see these pictures as markers of endless life, but life inside the Plan. It was pure deception.

If anything was eternal, it was my own act of creation.

I passed into a state of ecstasy…

(Jon Rappoport is the author of three explosive collections, The Matrix Revealed, Exit From The Matrix, and Power Outside The Matrix).

15,000 trucks stranded in Ciudad Juárez as border chaos enter week 4

In Tijuana a line of trucks 10 kilometers long Thursday

by Mexico News Daily

Thousands of trucks are stranded in Ciudad Juárez, Chihuahua, and Tijuana, Baja California, as chaos at the northern border enters its fourth week.

The National Chamber of Trucking (Canacar) said yesterday that 15,000 trucks were stuck in the former city, where there are long lines at border crossings to El Paso, Texas, and Santa Teresa, New Mexico.

Long wait times at several ports of entry to the United States have been reported since March 28 – the day after U.S. Customs and Border Protection (CBP) announced the reassignment of 750 border agents to deal with a large influx of migrants.

“It’s been catastrophic,” said Manuel Sotelo, a regional vice-president of Canacar.

He explained that the manufacturing industry in Chihuahua has incurred losses of around US $20 million a day since the delays began.

Sotelo, who is also the president of a Ciudad Juárez transport association, said he was told at a meeting with United States authorities that 100 border agents had returned to their port of entry posts, but most went to border crossings between Tamaulipas and Texas.

“We were confident that the [border] agents who were returning would come back to our ar-ea … but they were sent to Laredo,” he said.

Further complicating the situation in the Juárez area is that commercial border crossings are currently operating with reduced holiday hours even though Canacar requested that the normal schedule be maintained.

Lines of three, four and five kilometers were seen yesterday at the Bridge of the Americas, the Ysleta-Zaragoza Bridge and the San Jerónimo port of entry respectively. Sotelo said that trucks are waiting five hours on average to cross into the United States.

In Tijuana, long lines of trucks have been reported over the past two days due to the closure of commercial lanes at the border and an increase in Easter vacation traffic.

A report in the newspaper Milenio said there were lines as long as 10 kilometers in the border city yesterday.

Truck driver Miguel Ángeles said he would normally cross the border twice a day but now he can only cross once, and after a long wait at that.

Yesterday, he joined a line of trucks at 5 a.m. but didn’t cross into the San Diego area until 3 p.m. Average wait times at commercial ports of entry in the area have tripled to nine or 10 hours.

Another driver said his earnings had dropped by half in recent weeks as a result of the long border delays.

“In an economic sense, it’s hitting me really hard…” Francisco Javier said.

In an attempt to clear the congestion, commercial border crossings are operating with regular hours in Tijuana today but will close at 2 p.m. tomorrow and Sunday.
Chihuahua Governor Javier Corral and other politicians, as well as representatives of several business groups, will meet with Foreign Affairs Secretary Marcelo Ebrard in Mexico City on Monday to discuss the situation and consider their options to speed up cross-border trade.

Chihuahua government spokesman Mario Dena said Mexican authorities need to reach an agreement with their United States counterparts so that all personnel who were reassigned from ports of entry are reinstated.

Source: El Mañana (sp), Milenio (sp).

In other migrants news:

Mexico getting tougher on migrants as thousands wait for visas in Chiapas

Aid organizations say humanitarian crisis unfolding

Mexican authorities have begun implementing stricter immigration policies amid pressure from the United States to stop the flow of migrants from Central America.

When he took office in December, President López Obrador pledged that his government would treat migrants more humanely than that of his predecessor, Enrique Peña Nieto.

In January, his administration issued around 13,000 humanitarian visas to migrants who entered Mexico at the southern border that month.

The visas allow recipients to work and access services in Mexico for up to a year or, if they choose, travel legally to the northern border to apply for asylum in the United States.

The National Immigration Institute (INM) issued a few thousand additional visas in February but none since, an immigration official who requested anonymity told the news agency Reuters.

According to other sources familiar with Mexican immigration policy who also spoke to Reuters, near-daily pressure from the United States government has resulted in the secretariats of the Interior (Segob) and Foreign Affairs (SRE) pushing the INM to adopt a tougher approach to-wards migrants.

On April 4, United States President Donald Trump claimed that Mexican authorities had taken note of his threats to shut the border, stating that Mexico had recently been “capturing people and bringing them back to their countries at their southern border.”

Indeed, detentions of undocumented migrants for registration increased to 12,746 last month, according to unreleased INM data seen by Reuters, an increase of almost one-third compared to February and two-thirds compared to January.

The INM says that migrants staying at its facilities are not detained but being held for pro-cessing but rights groups and the migrants themselves say that they are not free to leave.

Thousands of migrants have been stranded in Chiapas, especially Tapachula and Mapastepec, as they wait to see if they will be granted humanitarian visas, or at least 20-day transit visas that allow them to legally travel through Mexico.

In the latter town, some of the migrants have been staying inside a makeshift shelter set up inside a sports stadium for almost three weeks, while others have camped in a field opposite.

“It’s madness that they’re making us wait so long. For what? For nothing!” said Daisy Mal-donado, a 26-year-old from Honduras who traveled to Mexico with her five-year-old daughter.

With migrants facing oppressive conditions in high temperatures – those camping in the field have no ready access to water, medical attention or government assistance – a coalition of more than a dozen human rights and humanitarian aid groups warn that there is a “humanitarian crisis” unfolding in Chiapas.

The coalition said that the detention center in Tapachula is severely overcrowded and that the confusion over whether visas will be issued or not is worsening the migrants’ plight.

“The government is responding with practices and repressive methods similar to the previous administration in terms of control and deportation, but in a way that’s even more disorderly [and] in some ways, it’s worse,” said Salva Lacruz, a coordinator of the Fray Matías de Cordova migrant advocacy group.

INM Commissioner Tonatiuh Guillén López said in a recent interview that a “stricter” immigration approach was being adopted in the south of Mexico due to the large number of arrivals but he denied that it was a result of pressure from the United States.

Whereas migrants were once effectively given free passage to travel through Mexico, the INM said yesterday that the migrants in Mapastepec would only be able to request seven-day visas that will limit their legal stay to Mexico’s southern states.

It is unclear when migrants in Tapachula might be issued visas as the INM office in that city closed following a riot last month. Thousands more migrants are stranded in cities on Mexico’s northern border.

In addition to detaining migrants, immigration authorities are also deporting them.

Two large groups of migrants – 204 from Honduras and 148 from Cuba – were deported from Mexico in recent days after they were located traveling through the country without having first regularized their immigration status.

“Migration officials are grabbing us like pigs,” said Erick Morazan, a 28-year-old Honduran migrant who traveled to Mapastepec at night in a “caravan of zombies” to avoid detection by immigration officials and the possibility of deportation.

Source: Reuters (sp).

López Obrador y Aparicio en la lista de Time de las 100 personas más influyentes

El presidente y la nominada al Premio de la Academia se unen al Papa Francisco, Donald Trump y otros notables

por Mexico News Daily

El presidente López Obrador y la actriz nominada al Oscar Yalitza Aparicio se encuentran entre las “100 personas más influyentes de 2019” de la revista Time.

Los dos mexicanos aparecen junto a nombres notables, como el Papa Francisco, el Presidente de los Estados Unidos Donald Trump, la cantante Lady Gaga, la ex primera dama de los Estados Unidos Michelle Obama y el fundador de Facebook Mark Zuckerberg.

La lista se divide en cinco categorías: pioneros, artistas, líderes, iconos y titanes.

Como es costumbre, breves biografías o homenajes escritos por figuras prominentes explican por qué cada una de las 100 personas en la lista merece su lugar.

En el caso de López Obrador, el autor invitado fue Jorge Ramos, un periodista mexicano de Estados Unidos que se enfrentó con el presidente en una conferencia de prensa matutina la semana pasada sobre la exactitud de las cifras de homicidios del gobierno.

“Más de 30 millones de mexicanos votaron por un cambio en la última elección, y eso es exactamente lo que obtuvieron”, escribió Ramos.

“El presidente Andrés Manuel López Obrador (o AMLO, como se le llama) viaja en clase económica y se niega a vivir en la mansión presidencial de Los Pinos; su mensaje principal es contra la corrupción. y cada mañana, a las 7:00 am, da una conferencia de prensa (conocida como la mañanera). Sí, está en marcado contraste con los líderes anteriores. ¿Pero es eso lo que México realmente necesita?”, continúa.

Ramos continúa señalando que el “control total del Congreso por parte del presidente y su estilo muy personal de tomar decisiones han levantado banderas entre quienes no quieren a otro populista autoritario”.

Señala que AMLO ha logrado “desactivar” a Trump al no responder a los tweets amenazantes del presidente de los Estados Unidos hacia México, pero agrega que “para consternación de muchos, el político izquierdista ha rechazado los llamamientos para denunciar la dictadura en Venezuela”.

Ramos sostiene que la “gran prueba” de López Obrador es combatir la violencia en México antes de concluir con una predicción que desafía el estado mesiánico del presidente entre sus más fieles partidarios.

“AMLO esperó 12 años para convertirse en presidente, y él tiene prisa por actuar. Pero tarde o temprano se dará cuenta de que solo una persona no puede salvar a México. Otros lo han intentado y han fracasado“.

Al escribir sobre Aparicio, la estrella de Roma de 25 años, el director de la película, Alfonso Cuarón, dice que la mujer mixteca de Oaxaca “desafía paradigmas”.

Señala que “antes de protagonizar en Roma, no tenía experiencia como actriz, pero obtuvo una nominación al Premio de la Academia a la mejor actriz en un papel principal”, y agregó que también superó su miedo al océano y aprendió el idioma mixteco para la película.

“Yalitza puede tomar cualquier tarea que se le ponga delante y sobresalir de una manera que nadie creía posible”, declara Cuarón.

El director explica que supo desde el momento en que conoció a Aparicio que ella “fue la única” en asumir el papel de Cleo, una trabajadora doméstica y la protagonista de Roma.

Cuarón escribe que Aparicio está “increíblemente fundamentado en su verdad y no es fácilmente arrastrado por el brillo y el glamour de Hollywood”, y agrega que “se enfoca en ser una fuerza de cambio y empoderamiento para las mujeres indígenas, abrazando el valor simbólico de lo que tiene”. Hecho y llevando esa responsabilidad con dignidad y gracia“.

La ex maestra de preescolar de la ciudad de Tlaxiaco es una de las 48 mujeres en la lista de Time, un aumento de tres respecto al año pasado y el doble del número que apareció en la lista inaugural en 2004.

Cuarón concluye escribiendo que admira profundamente a Aparicio y espera que ella continúe actuando y evolucionando su oficio.

“Siendo egoísta, quiero ver más de ella en pantalla. Ella tiene un regalo increíble…“

Fuente: El Financiero (sp).

En otras noticias en México:

La feria de artesanos más grande de América Latina ahora en Michoacán.
Cerca de 2.000 artesanos tienen un millón de piezas en exhibición.

En la segunda ciudad más grande de Mi-choacán se está llevando a cabo una feria de artesanos que ha sido considerada la más grande de América Latina.
El Tianguis Artesanal de Uruapan recibe a casi 2,000 artesanos de los cuatro grupos étnicos del estado: otomí, nahua, mazahua y purhépecha, cuya cerámica, tejido, cobre, madera tallada y artesanías musicales se exhibirán y venderán hasta el 28 de abril.
Más de un millón de piezas están en exhibición.
Las festividades comenzaron el viernes con un desfile de 3 1/2 horas en el que participaron 63 organizaciones y 40 bandas de 48 comunidades.
Más de 50 eventos culturales y artísticos se organizan en torno a la feria, incluido un concurso entre los artesanos.
Un total de 1,710 de 58 comunidades participaron con 3,118 piezas únicas, 207 de las cuales recibieron un premio. Más de un millón de pesos (US $54,600) fueron entregados a los ganadores.
También hay un festival tradicional de comida purhépecha, donde 15 mujeres de 15 pueblos de Uruapan se inspiran en sus tradiciones y preparan comidas con los mismos ingredientes y herramientas artesanales que sus antepasados.
Fuente: Mi Morelia (sp).