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The collapse: Celente predicted it would happen and it’s happening

por Gerald Celente

KINGSTON, NY, 9 August 2011 — On June 13, Trends Journal subscribers received this Trend Alert®: “Collapse It’s Coming! Are You Ready?”

In that Trend Alert®, Gerald Celente accurately predicted that a global economic collapse was imminent. “The economy is on the threshold of calamity … another violent financial episode is looming,” he wrote.

Celente warned that the trends of the Summer of 2011 paralleled those in play during August of 2007, trends that had culminated in the “Panic of ’08.”

He dismissed the assurances of world leaders that policies were in place to mitigate the escalating European and US debt crises. He discounted “media experts” promoting an imaginary recovery or debating the prospects of a double-dip recession.

It was all bogus. Those assurances were hot air, and the “recovery” talk and “double-dip recession” debates were just red herrings.

In that Trend Alert®, Celente urged readers to resist the urge to lapse into a vacation state of mind. And he warned that the coming panic was going to be distinctly different!

In the Summer of 2007, before the “Panic of ‘08” set in, the Dow had hit a high of 14,000, the real estate and credit bubbles had not yet burst, and unemployment was a manageable 4.7 percent. People actually still felt prosperous.

The “Collapse of 2011” follows four years of relentless economic decay. The combination of plummeting real estate values, intractable unemployment, and a US/European government debt crises dwarfs the banking/financial institution turmoil of 2008.

Back then, Washington and the Federal Reserve treated the critically wounded economy with trillions of stimulus dollars, low interest rates, and quantitative easing. But in 2011, those fiscal and monetary bandaids are not viable options.

It’s a tale told in chapter and verse in Trends Journals, in Trend Alerts and Trends in The News: the promised recovery was no more than a “cover-up.” We correctly forecast that gold prices would soar, the dollar would dive against the Swiss Franc, the European debt crisis would worsen dramatically, the vaunted emerging markets would submerge, and the “House made of BRICS” would not escape the turmoil.

In forecasting the collapse well in advance, Celente provided an accurate timeline and supported his conclusions with quantifiable data and in-depth analysis. However, now that the collapse is underway, history is already being brazenly reengineered, right in front of our eyes. Blaming the S&P downgrade for triggering the global sell-off/ financial panic – as the majority of pundits are doing – is as bogus as blaming the onset of World War I on the assassination of Archduke Ferdinand. The downgrade was no more than the proverbial last straw that broke the nation’s financial back. Trendpost: Trends Journal subscribers take notice. You know that Gerald Celente predicted the collapse.

He now maintains there are no substantive DC/ FED/ECB/IMF financial cards left to play to reverse the irreversible. Despite today’s Fed announcement to keep interest rates near zero through mid-2013 – and use policy tools to bolster the economy “as appropriate” – he forecasts that future Fed schemes will, at best, provide only temporary relief and, as with its previous attempts, are doomed to fail.

True to form, the economic propaganda mill is churning at full speed ­and the media coverage is mostly “bull.” Tune into any business show, pick up any newspaper and what you will get is the economic equivalent of the notorious 9/11 advice from the authorities as people fled the World Trade Center: “Go back to your offices, the fire in the North Tower is under control.” So now, with some $8 trillion of equity destroyed in just a few days, the authoritative counsel is: “The market is oversold. Get back in. It’s a buying opportunity.” (Gerald Celente is the Director of the Trends Research Institute.)

Morality in media calls on top NBC sponsors to stop “The Playboy Club”

by the El Reportero’s staff

NBC’s top advertisers will receive a letter this week from Morality in Media asking that they use their influence to stop NBC from airing “The Playboy Club” this fall and warning them not to advertise on the show if it airs.

“We will expect advertisers to ste­er clear of the promotion of the Playboy lifestyle and pornography,” said Dawn Hawkins, executive director of Morality in Media. “On a recent media tour, the show’s producers stated–with a straight face–that The Playboy Club is all about “female empowerment,” she noted. “Sexual exploitation of women is not empowering,” she added.

“For nearly six decades, Playboy has been the top pornographer in the world. Pornography has cause the addiction of many adults and even children, has led to increased domestic violence, and the treatment of women and children as mere sex objects to be used, abused, and discard, just like Hugh Hefner’s girlfriends,” Hawkins said.

“ Today – with NBC’s use of the public airwaves – Playboy is poised to cause even more harm, this time bringing its pornographic worldview directly into America’s living rooms,” said Patrick A. Trueman, President of Morality in Media. “We don’t need NBC to pour more fuel to that fire.”

Playboy, once equated with ‘soft-core’ pornography, distributes hardcore pornography on pay TV channels and the Internet. The company also has just partnered with the largest distributor of hard-core porn on the Internet.

Distribution of hardcore pornography can be prosecuted under federal and state obscenity laws, according to Trueman, a former chief of the Child Exploitation and Obscenity Section, U.S. Department of Justice, Washington, DC.

Hawkins is encouraging citizens to sign the pledge at www.CloseTheClubOnNBC.com to make it unprofitable for NBC to exploit women and to contact their local affiliate and ask that the show not be aired. The letter sent to advertisers is also available on the site.

Morality in Media, Inc., is the leading national organization focused on opposing pornography and indecency through public education and the application of the law. MIM is leading The War on Illegal Pornography, a coalition of more than 100 national and state groups whose goal is to stop the distribution of illegal pornography. For more information visit www.waronillegalpornography.com, ­www.pornharms.com, and ­www.moralityinmedia.org.­­

Prepare your legs for a real Cuban music

­by the El Reportero’s staff

La Moderna TradiciónLa Moderna Tradición

Dance to classic and modern Cuban dance music such as cha, cha, cha, rumba & danzon.

From the first note, you’ll want to jump out of your seat! Orquesta La Moderna Tradición bursts with the sweet yet powerful sound of the Afro-Cuban charanga orchestra, which features violins and woodwinds interlocking with driving Afro-Cuban rhythms.

Since 1996, the 11-piece group has thrilled audiences across the country with a mix of contemporary timba-infused arrangements guaranteed to get you on your feet and traditional danzónes that transport you back to the Havana social clubs of the 1950s.

La Moderna Tradición has performed at Lincoln Center in New York, the Smithsonian Institution, The San Francisco Jazz Festival, the Telluride Jazz Festival, and many others — their tours have taken them from Alaska to El Paso and abroad.

On Saturday Aug. 13, 9.30 p.m. La Peña Cultural Center, 3105 Shattuck Ave. Berkeley. Tickets $12 advanced, $14 door.

“Create” at Berkeley Art Museum

Create is a major survey exhibition, the first to bring together work from three pioneering centers for artists with developmental disabilities, Creative Growth Art Center in Oakland, San Francisco’s Creativity Explored, and NIAD Art Center in Richmond. “Create” showcases twenty artists who work in a variety of media and styles and celebrates thirty years of phenomenal achievement that has been nourished in these small but influential artistic communities.

Though Sept. 25 at UC Berkeley Art Museum, 2625 Durant Avenue. $10 Adults; $7 Non-UC Berkeley students, senior citizens (65 & over) disabled persons and young adults (13-17). Further information: ­http://www.bampfa.berkeley.edu/.

Retrospective exhibition of Lewis Suzuki

La Peña is exhibiting a retrospecive of the work of artist & peace activist, Lewis Suzuki, and inducting him into La Peña’s Hall of Fame.

In conjunction with the ceremony, La Peña is pleased to exhibit a retrospective of his work. Lewis Suzuki’s bold and imaginative use of color has won him numerous awards, including two awards at the Society of Western Artists show at the De Young Museum. He is also a peace activist and was a delegate to the Asian Pacific Peace conference in Beijing, China and to the World Peace Conference in Vienna.

The event will take place from 3-5 p.m. on Sunday Aug. 14. La Peña Cultural Center, 3105 Shattuck Ave. Berkeley.

Robert Rodríguez, the familiar side of a multi-faceted director

­by the staff of El Reportero

Film director Robert RoberFilm director Robert Rober

Along two decades, the multi-faceted Robert Rodríguez has surprised us once and again with his versatility. Since his debut with the film “El Mariachi”, produced with only 7.000 dollars, his career has been varied and successful. The young Latino director played a key role when bringing to the table the productions that included Hispanic actors and now he positions the Latin-American family with his next film. Even though he became known with action movies for adults, such as “Desperado” or “From Dusk Till Dawn”, in 2001 he surprised us with a children action comedy that told the story of two siblings and their mission to save the world on “Spy Kids”. Ten years after the opening of the movie, Dimension Films presents on August 19, the forth part of this series, “Spy Kids: All the Time in the World”, starring Jessica Alba and the young Rowan Blanchard and Mason Cook.

In this opportunity, the movie revolves around the twins Rebeca (Blanchard) and Cecil (Cook) and the tense relationship with their stepmother, Marissa Cortez Wilson (Alba). Nevertheless, after discovering that Marissa actually is an ex international spy who will need to go back to action, to stop a villain who plans to steal time, the kids won’t have much choice other than come to the fight and gather forces with their stepmother, in order to save the world.

Moreover, the movie is presented in an interesting system “4D Aromascope” that reminds us to the old Smell-o-Vision from the ’60s. The system consists on a card that is going to be delivered to the public when they enter the theatre with boxes they have to scratch in different moments of the movie, and that will release scents to make the cinematographic experience more involving and interactive.

Rodríguez says that the idea of bringing Alba to the cast emerged during the filming of “Machete”, starred by the actress, in a moment when he saw Alba changing his son’s diapers. It happens that with nine siblings and being a father of five kinds, family is a very sensitive issue for Rodríguez. In that sense, the Spy Kids series was his opportunity to bring this topic to the big screen, being very successful in the home boxes, to the point that ten years later, the series comes back stronger than ever.

In most of his movies, Rodríguez also acts as screenwriter, photography director, editor or even composer. In Spy Kids 2 and 3 he holds the record, where he appears in seven different credits, showing that there is not something as a too big challenge for this director who is already positioned in action movies for adults, was successful in winning a space in children’s and families’ harts.

­

Boxing

Saturday, August 13– at Las Vegas, NV (Showtime)

  • IBF bantamweight title: Joseph Agbeko vs. Abner Mares.
  • Eric Morel vs. Daniel Quevedo.

Saturday, August 13 — at Manukau City, New Zealand

  • David Tua vs. Monte Barrett.

Saturday, August 13 — at Little Rock, AK

  • Jermain Taylor vs. TBA.

Saturday, August 13 — at Atlantic City, NJ (FOX)

  • Matt Remillard vs. Aaron Garcia.
  • Teon Kennedy vs. Alejandro Lopez.

Saturday, August 13 — at Broadbeach, Australia

  • Michael Katsidis vs. Michael Lozada.

Friday, August 19 — at Hammond, IN (ESPN2)

  • Mauricio Herrera vs. Ruslan Provodnikov
  • David Diaz vs. Henry Lundy.
  • Demetrius Andrade vs. TBA.

Friday, August 19 — at Oakland, CA

  • Andre Dirrell vs. Sebastien Demers.­

Saturday, August 20 — at Mexicali, Mexico

  • Alfredo Angulo vs. TBA.

Fast and furious, slow and dithering

by José de la Isla
Hispanic Link News Service

MEXICO CITY– Two military-grade weapons were found alongside the murdered body of U.S. Border Patrol agent in December. The guns were part of an arsenal ATF agents were presumably tracking but lost track of.

Evidently, similar weapons were allowed from Houston and Tampa.

About 2000 weapons were allowed illegal movement from Phoenix into drug-cartel hands in an odd, deadly intended entrapment operation to track how the guns moved into organized crime’s hands in Mexico, and showed up in crime scenes.

At the July 26 House Committee on Oversight and Government Reform hearing, the intention was to trace the guns backwards, to find out which U.S. government officials knew what and when, because agents involved in operation Fast and Furious, as it was known, lost track.

The implausible reason for the operation in the first place is that crime scene investigators in Mexico would know where the weapons originated and in which crime syndicate’s hands they ended up—after the crooks caused mayhem.

The hearing, so far, seems to dwell on the number of weapons (2000, 1800 or 1600), but the more important unasked question is how many innocents were killed, wounded, injured or suffered through use of these weapons, like the murdered border agent.

This is a humanitarian matter. It is entirely plausible that many individuals were victims from those towns and villages that got shot up by organized crime. They could file wrongfuldeath and other lawsuits against each link in the chain of death and injury.

These types of suits should be brought — in Mexico, the United States and before international tribunals.

Also there is now good reason to ask U.S. State and Defense Department officials what really was the basis for their reports claiming failed state projections and pronouncements of destabilization before Fast and Furious.

Other concerns need investigation, such as the sale of weapons to cartel front organizations from State Department inventories, and shipments by organized crime from the same airport the DEA used in Texas. All this could be coincidental. But some plausible explanations are needed.

Conspiracy theorists will immediately jump the gun (excuse the pun). Others have ideological axes to grind. There is certainly material for them to chew on. For instance, Mexican authorities have made it public they were not informed about Fast and Furious.

Nor were ATF’s own agents in Mexico, nor cooperating agencies like the DEA, FBI, Mexican prosecutors Procuraduría General de la República and Agencia Federal de Investigación and the Policia Federal. But the possible reason why things fell apart, given in a Washington Post editorial, is the most untenable.

The paper laid out the lame bureaucratic excuse that operation Fast and Furious became a fiasco because ATF’s “budget has been repeatedly targeted by (the U.S. Congress) and often did not have the means to follow through.”

In other words, high paid government officials could not afford to make a two-cent Skype phone call to alert their own agents about the crooks having guns they could point at them. For another two pennies they could have alerted the Mexican authorities. Carlos Canino, head of ATF operations in Mexico, said at the congressional hearings, “I want to make it perfectly clear … at no time ever did I know that ATF agents were following known (or) suspected gun traffickers…Never, ever… would I imagine…that we were letting that happen.”

But it did happen. This caper should not get turned into something different than it is. It is about illegal gun trafficking, bureaucratic denouement, death, injury, mayhem, social instability. It is not about Houdini- like officialdom tricks so the issue disappears. Keep your eye on the ball for any new disclosures.

That’s my two-cents worth .

[José de la Isla, a nationally syndicated columnist for Hispanic Link and Scripps Howard news services, has been recognized for two consecutive years for his commen­taries by New America Media. His forthcoming book is “Our Man on the Ground.” Previous books include “DAY NIGHT LIFE DEATH HOPE” (2009) and “The Rise of Hispanic Political Power” (2003)].

— Yet, that same week in McAllen, a U.S. district judge in Texas sentence eight people to the maximum term as “buyer ants” for organized crime weapons and there was not budget issue here from competency acted out.

Carrying gun a ‘necessity’ for man, jury finds

­Compiled by the El Reportero’s staff

A man who borrowed a gun for protection after he and his family experienced random violence in a San Francisco housing project was acquitted thursday after a jury determined his actions were necessary.

Jurors deliberated finding Johnny Stone, 23, not guilty of one misdemeanor count of carrying a concealed weapon. The jury hung on a second misdemeanor charge, carrying a loaded weapon. A third charge, possession of nunchaku, was dismissed by the judge after finding there wasn’t sufficient evidence for that charge to go to jury.

Stone, of Reno, was arrested Sept. 9, 2009 while visiting family members in the Sunnydale public housing projects. Stone had reason to be fearful in the high-crime area, said his attorney, Deputy Public Defender Ariel Boyce-Smith. He had been robbed on a previous visit and his cousin had been shot in the ankle on the same block.

“The defense was one of necessity,” Boyce-Smith said. “It was clear Mr. Stone took the gun for protection.

Wells Fargo to pay $125 million to settle mortgage-backed securities case

Wells Fargo & Co. (WFC) agreed to pay $125 million to settle accusations by investors that the bank misled them about the risks of mortgagebacked securities it sold.

The plaintiffs in the consolidated group case, or class action, include the General Retirement System of Detroit, New Orleans Employees’ Retirement System and other public pensions, according to the proposed settlement filed yesterday in federal court ­in San Jose, California.

Wells Fargo, the largest U.S. home lender, and several investment banks that underwrote the securities were sued in 2009 over alleged violations of securities laws in connection with sales of $36 billion in mortgage pass-through certificates in 2005 and 2006.

The securities were backed by pools of mortgage loans that Wells Fargo or its affiliates originated or purchased. In 28 offerings, the bank misrepresented the quality of the loans, failing to disclose that it hadn’t followed appropriate underwriting standards and loans were made based on inflated appraisals, investors said in a complaint.

“The proposed settlement agreement is a negotiated resolution as to all named defendants and is intended to avoid the distraction and expense of litigation,” Ancel Martinez, a Wells Fargo spokesman, said in a telephone interview.

“Bank of America Corp. (BAC) agreed on June 29 to pay $8.5 billion to resolve investor claims over sales of bonds backed by home loans by Countrywide Financial Corp., which it had acquired in 2008. The settlement covers 530 mortgage trusts with an original loan balance of $424 billion, the bank said.

Puro Bandido illuminates Broadway Street for 2011

­

­by the El Reportero’s staff

Puro BandidoPuro Bandido

One of the oldest Latin Rock bands in San Francisco, that has survived the virus of extinction: time, the great Puro Bandido, will be performing every Friday through out 2011.

“Puro Bandido is more than a refreshing musical group, is an attitude and eclectic sound that mesmerizes it’s audience” with the unique Latin-Rock sound. Remember, EVERY FRIDAY at 10 p.m., at Impala Lounge, at 501 Broadway Street, San Francisco. For more info call 415-982-5299.

What a taste has mambo! Que Rico El Mambo! by Julio Cesar Morales is a project that explores the musical compositions and legacy of Bandleader Damaso Perez Prado, the inventor of Mambo music. Prado has been experimenting with ideas of the remix. His compositions are perhaps best marked by punctuating yells of “Ugh!” which is actually a slurring of the syllables in the phrase “dilo” which means “say it!” or “hit me!” “dilo!” served as cues for his orchestra to start, end, pause or shift tempos with a level of precision that allowed Prado to literally “cut and paste” elements of his musical imagination live and in real time.

Subsequently when Prado solifidyed the Mambo in 1949 he also created the blue print for electronic music. For Que Rico El Mambo lecture, Morales utilized footage of Prado’s film from 1950 Al Son de Mambo in which he introduces Mambo to the world and clips from Prado’s1963 film El Dengue Del Amor.

The proyect will be on view from july 21st to September 22nd at the Mexican Consulate of San Francisco, 532 Folson Street, 94105, CA.

American Sabor Latinos in U.S. Popular Music exhibition

Join the San Francisco Public Library and Community of Honor Guests for a private reception to celebrate San Francisco’s first taste of the exhibition American Sabor: Latinos in U.S. Popular Music.

The exhibition documents the contributions of U.S. Latino musicians to American mainstream music, such as jazz, R&B, rock‘n’roll and hip-hop, through the lens of five major centers of Latino music production: New York, San Antonio, San Francisco, Miami and Los Angeles.

American Sabor was created by Experience Music Project and organized for travel by the Smithsonian Institution Traveling Exhibition Service. The exhibition, its national tour,
and related programs are made possible by Ford Motor Company Fund.

American Sabor: Latinos in U.S. Popular Music will be on view August 27-November 13, at San Francisco Public Library, 100 Larkin Street (at Grove), San Francisco, CA 94102.

Bolivia’s Independence Day

Together celebrating the Bolivia’s Independence Day the music ensembles Jatun Marka & Hanakpacha performing traditional and contemporary Bolivian & South American music.

The event will take place friday ,august 5, starting at 8pm in La Peña Cultural Center, 3105 Shattuck Avenue, Berkeley, CA, 94703. Tickets cost $12 advanced and $15 if you get them in the entrance.

José Rivera will write the story of the Chilean miners

by the El Reportero’s staff

Jerry RiveraJerry Rivera

The representatives of the 33 Chilean miners, whose remarkable rescue from the San José Mine last year have announced that Academy Award-nominated producer Mike Medavoy (Black Swan, Shutter Island) has entered into an agreement to bring the Miners’ extraordinary to the screen. José Rivera, the Academy Awardnominated screenwriter for Motorcycle Diaries, is set to adapt the story. José Rivera is represented by ICM. The film will recount the events surrounding the mine’s collapse, their survival while trapped 69 days a half a mile underground and the subsequent rescue efforts.

“Like millions of people around the world, I was completely engrossed watching the rescue at Copiapó. At its heart, this is a story about the triumph of the human spirit and a testament to the courage and perseverance of the Chilean people. I can’t think of a better story than this one to bring to the screen,” said Medavoy.

The expected CD of salsa performer Jerry Rivera is already for sale

The new disk of the praised singer Jerry Rivera, “The Love Exists”, for sale since July 26.

The new record production of Jerry Rivera is a true musical jewel for the lover of Tropical music, and particularly the salsa dancer.

“I’m very please and enthusiastic for launching my fifteenth album thanks to the great family of VeneMusic that joined me in this project. The acceptance that has had Alone I think about you – in only weeks arrived at the first place – is an advancement of what comes in this new phase of Jerry Rivera”, assured the artist.

The album, which was produced by the same artist for the seal VeneMusic, is composed of nine themes, of which six were successes for artists as Franco de Vita, Guillermo Dávila and Ricardo Montaner – Only I think about you, Will Be, All the light, does Not suffice, I that loved you and Alone with a kiss – but now they are presented in salsa beat with the majestic fixed arrangements of Ramón Sánchez.

And as prelude of the exit of its new album, the Puerto Rican artist dominates again the list of radial popularity after being positioned in the top (No.1) of the ‘market analysis’ Tropical Songs of Billboard Magazine by second consecutive week with its new simple Alone one I think about you. This success carries him upon being the 4º artist (drawing Juan Luis War) that more songs has carried to the No. 1 in the market analysis since Billboard began to report in 1995.

Vergara and Ramirez Nab Emmy Nominations

The nominees for the 63rd Primetime Emmy Awards from the Academy Of Television Arts & Sciences were announced by Melissa McCarthy (Mike & Molly) and Joshua Jackson (Fringe). The Emmy Awards will be on Sunday, September 18th (8 PM ET/ 5 PM PT) in the NOKIA Theatre L.A. LIVE in Los Angeles. Hosting this year will be Emmy winner Jane Lynch (for Glee). Only two Latinos made the on-camera nomination roster, Sofia Vergara and Edgar.

This is Sofia Vergara second Emmy nomination for her role as Gloria Delgado-Pritchett in the category of Best Supporting Actress in a Comedy ­Series. She has received a Screen Actor Award for this role and has been nominated for both a Golden Globe and an ALMA Award. Maybe this will be the year she will take it home with her. She is up against Julie Bowen (Modern Family); Betty White in Hot in Cleveland; Jane Lynch in Glee; Kristen Wiig for Saturday Night Live; and Jane Krakowski for 30 Rock Vergara was named a “Face to Watch” by the New York Times and one of the most powerful women in Hispanic entertainment by the Hollywood Reporter.

Edgar Ramirez the Venezuelan actor who wowed audiences and critics alike the title role “Carlos” in the 2010 French-German series Carlos also received a nom. This on the heels of a Golden Globe nomination earlier this year. Ramirez did earn a César Award for Most Promising Actor at the 2011 César Awards. Ramirez is also known for his portrayal of CIA assassin “Paz” in The Bourne Ultimatum.

 

Sanctuaries without saints

by Jorge Mújica Murias
mexicodelnorte@yahoo.com.mx

“Sanctuary” means, according to the dictionary, 1. Temple in which an image or remains of a saint are worshiped, as in the “the Sanctuary of Lourdes”; 2. Sacred or important valuable place, as in “the Pasteur Institute is a sanctuary of research; and 3. Place used as a refuge, to give protection or asylum, as in “terrorists were arrested at their sanctuary un South France”.

Just because it does not say it, the definition does not include something like “city or county in the United States were undocumented immigrants are free from La Migra”. I wish it said it…

But that’s the definition some people like to use, more inspired by good feelings than reality. And some others use it just to gain credibility among immigrants, promoting “sanctuary laws” without teeth. Some “sanctuary laws” I know of, particularly in Chicago, clearly say that “no authority shall collaborate with Immigration… unless Immigration specifically requests so…” and on and on.

And then it says, quite at the end, that no authority could be sanctioned because of not observing the law… and complaints regarding violations should be taken to … the authorities!

In a few words, the “sanctuary” where immigrants without papers are “safe” from La Migra just do not exist and do not protect, give asylum or refuge to no one.

Out of but really in

And the same is going on with the so called “opt out” of Secure Communities.

“With drums and orchestra it was announces last May that the state of Illinois was opting out of the Secure Communities program”, reports our colleague Fabiola Pomareda in La Raza newspaper. “Never the less, officers of the Immigration and Customs Enforcement confirmed they “keep working in Illinois and that the data base exchange continues, to identify undocumented immigrants”.

It could not be clearer. “Secure Communities is a federal program to share information, and the decisions on its operation are taken by the federal government only”, was told Fabiola by Nicole Navas, speaker for La Migra and person in charge of Secure Communities in Washington. “A state can not cancel its participation or ‘opt out’ after the government has already activated the program in the state”.

It is logical. Secure Communities is a data-share program between local police departments, Homeland Security (La Migra), and the FBI. When the local police offi cer arrests someone, fi ngerprints him or her and sends the info the FBI, La Migra gets a copy and boom!

The arrestee is marked as a bad guy, drunk, or plain stupid because his biggest problem was not to stop at a stop light, but he’s also marked as undocumented, and avoiding deportation then is a big big problem.

Even worse, La Migra can check the data bases data of local and state police “from a desk at the Court building or using a laptop in a Starbucks”, Fabiola was told the spokesperson of the Cook County Sheriff, Steve Patterson.

Let’s be clear then. Secure Communities is not a voluntary program for cities and counties, even “sanctuary” cities and counties, and no one can “opt-out” of it.

The solution for La ­Migra to stop arresting immigrant bread winners who had a drink and then drove, or workers who did not stop at the stop sign to get on time to their jobs, is to eliminate Secure Communities, not to create “sanctuary” cities and counties or make them “immigrant friendly”.

But there’s guy who, all together by himself and him alone, could eliminate Secure Communities. His name is Barack Obama and, for the time being, he lives in Washington, D.C.

Other politicians who talk and talk about “opting-out” of Secure Communities are just lying thru their teeth…