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Chihuahua urges closing border to nonessential traffic to curb Covid cases

It’s supposed to be closed but US citizens have no problem entering Mexico

by the El Reportero‘s wire services

 

In the wake of a sharp increase in Covid-19 cases that is now overwhelming the state’s hospitals, the Chihuahua Congress has asked the Ministry of Foreign Affairs to enforce an agreement that is supposed to deny U.S. citizens nonessential entry into Mexico.

By agreement between the two nations, the land border has been closed to all foot and vehicle traffic since March and will remain closed until Nov. 21, and probably longer. In theory, that means Americans seeking to cross into Mexico need an approved reason, such as family or medical emergencies or for work.

However, in practice, say Chihuahua lawmakers, border officials allow U.S. citizens to cross freely into Mexico. They believe such leniency is responsible for the state’s new Covid-19 spike, which has saturated hospitals.

US judge denies bail to ex-army chief; attorneys offered US $750,000

Amount represents the former defense minister’s life savings

 

A United States judge has refused to grant bail to former army chief Salvador Cienfuegos on drug trafficking and money laundering charges, rejecting an argument that the ex-defense minister was not a flight risk because he is determined to clear his name.

At a hearing in Los Angeles on Tuesday, the attorney for Cienfuegos, who was arrested at L.A. airport last week, said that his client could offer bail of US $750,000, an amount he described as the former general’s life savings.

Duane Lyons, a partner at Quinn Emmanuel Urquhart & Sullivan, the largest litigation firm in the world, said that his client, who he called “a dedicated Mexican general who served his country honorably for a number of years,” has “every intention of clearing his name.”

If he were to be released on bail and flee, “his name and reputation would be ruined,” Lyons said. If he were to return to Mexico while out on bail, the United States’ extradition treaty with that country would help ensure that he was sent back to the U.S., he said.

The lawyer also argued that Cienfuegos, 72, was at risk of being infected with the coronavirus by being kept in jail, pointing out that he is vulnerable to a serious illness due to his age.

He is accused of helping the H-2 Cartel, an offshoot of the Beltrán Leyva Cartel, to operate with impunity in Mexico and smuggle large quantities of cocaine, heroin, methamphetamine and marijuana into the United States. He is also accused of laundering the proceeds of his alleged illicit activities.

‘This is a monumental case’: Dept. of Justice files anti-trust lawsuit against Google

The lawsuit, filed only this morning, states that ‘Google has willfully maintained and abused its monopoly power in general search services through anticompetitive and exclusionary distribution agreements’

 

by Michael Haynes

 

The lawsuit, filed only this morning, states that ‘Google has willfully maintained and abused its monopoly power in general search services through anticompetitive and exclusionary distribution agreements.’

WASHINGTON D.C, October 20, 2020 (LifeSiteNews) – The U.S. Department of Justice (DOJ) has filed an anti-trust lawsuit against Google, alleging that the company has been illegally abusing its position of power online in order to create a monopoly on searching and advertising.

The lawsuit, filed only this morning, states that “Google has willfully maintained and abused its monopoly power in general search services through anticompetitive and exclusionary distribution agreements.”

Consequently, the lawsuit seeks to “restrain Google LLC (Google) from unlawfully maintaining monopolies in the markets for general search services, search advertising, and general search text advertising in the United States through anticompetitive and exclusionary practices, and to remedy the effects of this conduct.”

It additionally discloses that Google’s online dominance has resulted in “a market value of $1 trillion and annual revenue exceeding $160 billion” and that it has used “anticompetitive tactics” to extend “the cornerstones of its empire.”

The case is a result of over a year long investigation, and is an attempt to challenge Google’s online supremacy which has been affected by abusing its position in violation in Section 2 of the Sherman Act. The DOJ has been joined by 11 state attorneys general as plaintiffs in the case.

The DOJ raises numerous complaints against Google, mentioning that the tech giant has “exclusionary agreements, including tying arrangements” in order to “lock up distribution channels and block rivals.” The department also claims that Google spends billions each year ensuring that it remains the default internet browser and search engine. Companies it pays for this include “Apple, LG, Motorola, and Samsung…AT&T, T-Mobile, and Verizon…Mozilla, Opera, and UCWeb.” Top of Form

As a result of this, the case states that Google “effectively owns or controls search distribution channels accounting for roughly 80 percent of the general search queries in the United States…for nearly 90 percent of all general-search-engine queries in the United States, and almost 95 percent of queries on mobile devices.”

Furthermore, “Google monetizes this search monopoly,” the revenues of which it “‘shares’ with distributors in return for commitments to favor Google’s search engine.” The DOJ makes the argument that “[t]hese enormous payments create a strong disincentive for distributors to switch” and also “raise barriers to entry for rivals.”

Google’s competitors are moreover denied “vital distribution, scale, and product recognition—ensuring they have no real chance to challenge Google.” According to the DOJ’s claims, Google employs “distribution agreements to lock up scale [of data] for itself and deny it to others” which thus “unlawfully maintains its monopolies.”

The tech company’s practices are termed “anticompetitive” according to the ruling of 2001 antitrust case, United States v. Microsoft, which found that “anticompetitive agreements by a high-tech monopolist shutting off effective distribution channels for rivals, such as by requiring preset default status (as Google does) and making software undeletable (as Google also does), were exclusionary and unlawful under Section 2 of the Sherman Act.”

The DOJ’s papers report how Google employees received specific instruction after United States v. Microsoft to avoid words which could land them in trouble in any future antitrust case. They were warned that “Words matter. Especially in antitrust law” and thus told to “avoid observing that Google has ‘market power’ in any market.”

In a statement this morning, Attorney General William Barr said: “This is a monumental case for the Department of Justice and, more importantly, for the American consumer.” Continuing, Barr stated that the DOJ had “convincing evidence that Google no longer competes only on the merits but instead uses its monopoly power – and billions in monopoly profits – to lock up key pathways to search on mobile phones, browsers, and next generation devices, depriving rivals of distribution and scale.”

On top of the harm which Google’s actions cause to “users, advertisers, and small businesses,” Barr also noted that the DOJ also had wider concerns about “online platforms” regarding “online child exploitation, public safety, and censorship.” These, however, would not be covered in the lawsuit filed today as they are being dealt with separately.

Google has faced growing criticism in the wake of its censorship of conservative websites and its manipulation of search results. It has been exposed in its attempts to alter the outcome of the upcoming presidential election, by seeking to suppress information.

Project Veritas, which has provided much evidence of Big Tech censorship, released a video yesterday in which a Google employee described the company’s leftist leanings as akin to “playing selective God.”

Vote-by-mail fail: When a ballot arrives that isn’t for you

by Ben Christopher

 

When the ballots arrived in Susan Lambert’s mailbox earlier this week, everyone in the house was accounted for. There was one for her, one for her husband, and two for her adult step-sons.

And then there was the one for George.

Lambert, a playwright, producer and writer who lives in Pasadena, didn’t recognize the name. There wasn’t a George among her neighbors, nor was it the name of the prior owner of the home, which she bought 13 years ago.

Lambert’s husband shrugged and chucked the extra ballot in the recycling.

More than 21 million ballots are now in various stages of transit across California. They are in mail trucks and mail boxes. Some are sitting on kitchen tables unopened and others have already been filled out and shipped back to county election offices.

And, predictably, some have ended up in the wrong place.

Lambert, who grew up in Georgia where voting regulations are much stricter, said she assumed this was just the result of the state’s recent decision to send ballots to every active, registered voter this year. “I’d rather they err on the side of making sure that everyone gets a ballot, rather than the other way,” she said.

But she was also curious. So she went to the recycling bin and fetched it.

“I want to know what happened,” she said. “That is the lesson of the last four years. You want to assume that people in charge are going to take care of stuff like this. But I don’t think we can count on that anymore.”

If you’ve heard such stories, seen them breathlessly shared on social media, or even received a wayward ballot yourself, you might well wonder:

Why is this happening?

The short answer, said Kim Alexander, president of the nonpartisan California Voter Foundation, is that election systems are “run by human beings.”

Those human beings are called county registrars. Each registrar maintains a list of names and addresses of active voters (those who have recently cast a ballot) called a voter roll — what they use to send out ballots.

They’re sending out way more than normal this year.

To keep voters from crowding into polling places and swapping aerosols amid a pandemic, a new state law requires all counties to send ballots to every active, registered voter — in other words, anyone on a county registrar’s voter roll — before Election Day.

Keeping those rolls up-to-date is a constant effort, said Joe Holland, the registrar for Santa Barbara County. When someone slips through the cracks, he said, it’s often for the following reasons:

– Somebody died out of state and that information has not made its way back to that voter’s county of residence.

– Ditto if someone moves out of the state or out of the country.

– A student stays home from college — a common occurrence during the pandemic — but is registered to vote near their campus.

 

Some counties have been more diligent about keeping rolls up to date than others. Last year, Los Angeles County was required to remove 1.5 million inactive voters —dead, duplicate or unaccounted for — from its roll after it was sued by the conservative legal nonprofit Judicial Watch.

That’s 1.5 million people the county believed were eligible to vote, but were not. That does not mean, however, that millions of ineligible ballots were actually completed, cast or counted.

Will this lead to fraud?

Probably not.

Last weekend, Richard Grenell, President Donald Trump’s former ambassador to Germany, tweeted out photos purporting to show ballots that had been “mailed to two people who have been dead for more than 10 years.”

According to records assembled by Political Data Inc., a company that gathers and sells access to registered voter information, the photographed ballots were sent to two Redondo Beach voters, one who would be age 100, the other 98, neither of whom had voted since 2004.

The conservative outlet RedState seized on the tweet as evidence that “the practice of mailing every registered voter a ballot” in California will be “ a complete s—show.”

The social media account of the Los Angeles County Registrar’s office responded to Grenell’s tweet, thanking him for sharing the information and noting that “all returned ballots are required to go through signature verification prior to counting.”

Just how good is that signature validation safeguard?

Ballots that are delivered by mail, deposited at a dropbox or left at a voting center must be placed in an envelope, which then must then be signed and dated.

“When someone is signing the envelope they are saying, under penalty of perjury, that they are who they say they are,” said Mike Sánchez, a spokesperson for the Los Angeles registrar’s office.

Once those ballots arrive at a county office, they are run through an electronic sorting machine, said Holland from Santa Barbara. The machine will pass along any exact signature matches, which usually make up around 60 percent of the total, he said.

“We have staff who are trained on signature verification go through the other 40%,” said Holland, who is also the president of the California Association of Clerks and Election Officials. Each ballot is checked individually, he said. If a signature doesn’t seem to match, or if it’s missing entirely, all counties are now required to try to notify the voter, giving them an opportunity to provide a new, correct signature before rejecting the ballot entirely.

Forgeries are not uncommon, said Logan Churchwell, spokesperson for the conservative Public Interest Legal Fund. The typical example: an elderly voter who “feels entitled to vote their dead spouse’s wishes because they knew them.”

Earlier this year the fund filed supporting legal briefs on behalf of Republicans who sued to block the state’s move to universal vote-by-mail earlier this year.

Churchwell said we know that there are hundreds of such incidents each year because of the number of ballots that are rejected by counties based on an imprecise signature match.

According to a recent study published by the nonpartisan California Voter Foundation, 1.4 per cent of all the vote-by-mail ballots cast in the March primary were rejected. A closer look at just San Mateo, Santa Clara and Sacramento counties in 2018 found that signature mismatches accounted for, respectively, 4 percent, 10% and 40% of all rejections.

The fact that so many ballots are rejected by county officials for a mismatch is “evidence of the security measures that are in place,” said Alexander, the foundation’s president.

And even if the rare forgery does slip by, she said, it’s hard to imagine how a malicious actor could round up a sufficient number of erroneously mailed ballots to sway the election.

“You can only do it one ballot, one voter, at a time,” she said. “If you are going to attempt voter fraud, this would be a very inefficient way to do it.”

What should you do if you get the wrong ballot?

If a ballot is intended for someone else, don’t try to fill it out and send it back. Even if it’s the ballot of a loved one. Even if you’re just trying to “test the system.” If the system works, it will have caught you committing a felony.

Sánchez in Los Angeles County said that voters in Lambert’s situation can just discard a stray ballot. But if they feel compelled to help the county update its voter roll, they’re encouraged to email or call the registrar’s office to let it know.

Another method, said Holland, is to simply scribble “return to sender” or “no longer at this address” on the envelope and put it back in the mail. The registrar’s office will get the message that way too.

He also encouraged voters concerned about the safety of their ballots to sign up with the state’s ballot tracking program so they can get notifications when their ballot is put in the mail, delivered and eventually counted.

And one last piece of advice from Holland: “Don’t listen to Twitter or Facebook or Instagram.”

Via the Post It, CalMatters political reporter Ben Christopher shares frequent updates from the (socially distanced) 2020 campaign trail.

Storytime: Sweet Stories for Families

Compiled by the El Reportero’s news service

 

Bilingual español/English stories and songs for children and their families.
Tune in on the Library’s Facebook page: www.facebook.com/sfpl.org

Tip: You do not need a Facebook account to view a presentation when using the link, you can close any pop-up windows.

¡VIVA! Latino Heritage Month

¡VIVA! at the Library is an annual celebration of Latino heritage, cultures and traditions. San Francisco has a rich Latino heritage that is highlighted in a diverse array of exciting programs for all ages, from Spanish storytimes to cooking classes, author talks to art and cultural presentations.

Latin American Interest

From author panels to presentations and performances by local talent, these programs spotlight the many dazzling facets of Latin American culture.

Questions about the program or problems registering? Contact sfplcpp@sfpl.org. For accommodations (such as ASL interpretation or captioning), call (415) 557-4557 or contact accessibility@sfpl.org. Requesting at least 72 hours in advance will help ensure availability.

October, Thursday, 15, 2020, 11:00 – 11:30 a.m.

 

The de Young Open exhibition and my upcoming Open Studio

This painting “The New Mission # 2” will be on exhibition from Oct 10, 2020 to Jan 3, 2021 in the de Young Open” exhibition. This juried exhibition features 700 works selected from 11,000 submissions by Bay Area artists.

De Young museum, Golden Gate Park, 50 Hagiwara Tea Garden Dr., San Francisco, 415.750.3600, Tuesday – Sunday, 9:30 a.m. – 5:15 p.m.

Apart from this ongoing Series I will be exhibiting recent paintings of Oakland, San Francisco, Italy and Mexico.

I will be admitting guests one or two at a time for twenty minute visits. The spacious studio will be well ventilated and masks must be worn at all times.

Schedule a visit on calendly.com/anthonyholdsworth

 

At SFPL stories and songs for children and their families

Tune in on the Library’s Facebook page: www.facebook.com/sfpl.org

Tip: You do not need a Facebook account to view a presentation when using the link, you can close the pop-up windows.

Books, songs, rhymes and fun for children of all ages unless noted.

Questions about the program or problems registering? Contact sfplcpp@sfpl.org. For accommodations (such as ASL interpretation or captioning), call (415) 557-4557 or contact accessibility@sfpl.org. Requesting at least 72 hours in advance will help ensure availability.

Thursday, Nov. 12, 2020, 11 – 11:15 a.m.

 

County commercial eviction moratorium updates

With the countywide moratorium on commercial evictions extended through November 30, 2020, the Santa Clara County Office of Supportive Housing has updated its resource page for small business tenants and commercial landlords. The statewide moratorium on residential evictions extends through Jan. 31, 2021.

 

At SFPL stories and songs for children and their families

Compiled by the El Reportero’s news service

 

¡VIVA! Continues with Author Talks for All Ages

 

In October, the Library hosts author Aida Salazar in conversation with Natalia Sylvester. Salazar is an award-winning author and arts activist whose writings for adults and children explore issues of identity and social justice. Her newest title, Land of the Cranes, is a searing middle grade novel in verse about a young girl and her family in a detention center for migrants and refugees. Sylvester is the author of Running, a novel for young adults that explores the timely topic of youth activism, political families and what happens when 15-year-old Cuban-American, Mariana Ruiz, discovers surprising truths about her presidential-hopeful father.

The City’s sixth Poet Laureate Alejandro Murguía brings together poet, interdisciplinary artist and educator Leticia Hernández-Linares and Jose Hector Cadena, co-founder of Vos Sin Tinta, for a reading series at Alley Cat Books. Celia Stahr will discuss her book Frida In America: The Creative Awakening, the first in-depth biography of these formative years spent in Gringolandia.

Tune in on the Library’s Facebook page: www.facebook.com/sfpl.org

Tip: You do not need a Facebook account to view a presentation when using the link, you can close the pop-up windows.

Books, songs, rhymes and fun for children of all ages unless noted.

Questions about the program or problems registering? Contact sfplcpp@sfpl.org. For accommodations (such as ASL interpretation or captioning), call (415) 557-4557 or contact accessibility@sfpl.org. Requesting at least 72 hours in advance will help ensure availability.

Thursday, Nov. 12, 2020, 11 – 11:15 a.m.

Craft: Cempasúchil Flowers for Dia de los Muertos

Create easy and beautiful marigold flowers from tissue paper for your Dia de los Muertos celebration. Design and make a flower crown or a bouquet for your altar.

Gather the following supplies and tools ahead of time:

  • 2 sheets of 8 1/2” x 11” (orange or yellow) construction paper
  • 1 sheet of 8 1/2” x 11” (green) construction paper
  • Tissue Paper in citrus colors (1 flower = 5 sheets of 2” x 2” tissue paper)
  • Pipe cleaners
  • Ruler
  • Pencil
  • Scissors
  • Stapler

Optional tools:

  • Hot Glue Gun

Register ahead of time for this Zoom program: Cempasuchil Flowers for Dia de Los Muertos Craft

Alejandra G Ramirez is a Salinas & Bay Area artist, museum educator and Co-Director of The Marigold Project. Follow her work on IG: @aleimina

San Francisco Public Library, 100 Larkin St., San Francisco, CA 94102.

 

Be Earthquake Prepared: Join the Great California ShakeOut

Join nearly 6 million (and counting) fellow Californians next Thursday, October 15 at 10:15 a.m. for the Great California ShakeOut, the largest earthquake preparedness drill in California. Anyone can participate — individuals, families, organizations, and workplaces can register here to be counted.

You can also download the MyShake Earthquake Early Warning app. Stay informed on earthquake and other emergency preparedness resources by visiting our Stay Informed page. The Earthquake Country Alliance also has seven steps to earthquake safety. You can learn more about natural hazards in your area by going to the California MyHazards website.

 

The de Young Open exhibition and my upcoming Open Studio

This painting “The New Mission # 2” will be on exhibition from Oct 10, 2020 to Jan 3, 2021 in the de Young Open” exhibition. This juried exhibition features 700 works selected from 11,000 submissions by Bay Area artists.

De Young museum, Golden Gate Park, 50 Hagiwara Tea Garden Dr., San Francisco, 415.750.3600, Tuesday – Sunday, 9:30 am – 5:15 pm

Apart from this ongoing Series I will be exhibiting recent paintings of Oakland, San Francisco, Italy and Mexico.

I will be admitting guests one or two at a time for twenty minute visits. The spacious studio will be well ventilated and masks must be worn at all times.

Schedule a visit on calendly.com/anthonyholdsworth

 

County commercial eviction moratorium updates

With the countywide moratorium on commercial evictions extended through Nov. 30, 2020, the Santa Clara County Office of Supportive Housing has updated its resource page for small business tenants and commercial landlords. The statewide moratorium on residential evictions extends through Jan. 31, 2021, and resources and guidance for residential tenants and landlords can be found here.

The De Young Museum reopens since its closure due to the pandemic

Compiled by the El Reportero‘s staff

 

In celebration of the de Young museum’s 125th anniversary, the Fine Arts Museums of San Francisco are hosting The de Young Open, a juried community art exhibition welcoming submissions by artists from the nine Bay Area counties.

Together painting a picture of an extraordinary time in recent human history, and representing both resistance and resilience, the diverse and inspiring artworks in The de Young Open are a testament to the creativity of the artists whose visions and voices enrich the San Francisco Bay Area’s cultural landscape.

Oct. 10, 2020–Jan. 3, 2021, at the de Young

 

13th Annual Hand-Blown Art Glass Pumpkin Patch

Half Moon Bay Art Glass will transform the grounds of La Nebbia Winery into a glistening glass pumpkin patch featuring the work of glass blower Douglass C. Brown. This artistic installation will feature hundreds of one-of-a-kind glass pumpkins available for purchase, each one personally handcrafted by Brown, who works year-round to create this spectacular display. La Nebbia Winery will be open for guests to partake in wine tasting.

For those who wish to create their own piece of art, HMB Art Glass is offering several classes year around. Classes start as low as $40 for kids (must be at least six years old). La Nebbia Winery, 12341 San Mateo Road on Hwy. 92, Oct. 10-11, 10 a.m. – 5 p.m. 650- 283-5626, www.hmbartglass.com.

 

County commercial eviction moratorium updates

With the countywide moratorium on commercial evictions extended through November 30, 2020, the Santa Clara County Office of Supportive Housing has updated its resource page for small business tenants and commercial landlords. The statewide moratorium on residential evictions extends through Jan. 31, 2021, and resources and guidance for residential tenants and landlords can be found here.

 

Online series on the rhythmic roots of Afro-Latin music

Santos will be taking a deep dive every Wednesday evening Sept 23-Oct 14 from 6-8 p.m into a new aspect of the rhythmic roots of Afro-Latin music including Afro-Cuban, Afro-Puerto Rican, and Afro-Brazilian forms. Each live presentation will also feature selections from Santos’ legendary collection of audio and video recordings, including many early and rare recordings of the musicians and musical genres he’ll be discussing

The program is presented by the Museum of the African Diaspora in San Francisco together with the Yerba Buena Gardens Festival. Audiences pay what they can and should register on the Museum’s website for instructions on how to join the online audience at https://www.moadsf.org/calendar/

There is a week by week break down of the specific styles he’ll be covering on that page as well if you want more detail.

A 2012 San Francisco Latino Heritage Arts Awardee, born and raised in San Francisco’s Mission District amidst an extended family of Puerto Rican musicians, Santos has been at the center of the Bay Area’s Latin music scene for over forty five years.

He served on the Smithsonian Institution’s Latin Jazz Advisory Committee and has played an essential role in expanding Latin jazz’s rhythmic lexicon beyond the foundational Cuban grooves. He has produced a steady stream of critically-acclaimed, peer-respected recordings on his Machete Records label since 1984 and has travelled the world as a teacher and lecturer since the mid-eighties.

Known for his innovative use of traditional forms and instruments in combination with contemporary music, John has performed and/or recorded with masters such as Tito Puente, Dizzy Gillespie, Max Roach, Cachao, Eddie Palmieri, James Moody, Omar Sosa, McCoy Tyner, Giovanni Hidalgo, and Bebo Valdés. He is faculty at the California Jazz Conservatory, SF State University, College of San Mateo and Jazz Camp West and is an Advisory Board member of Oaktown Jazz, Living Jazz, and the Afro-Latin Jazz Alliance (NY), and a Trustee of SFJAZZ.

 

De Young Museum Reopens With Frida Kahlo Exhibit

Compiled by the El Reportero‘s staff

 

The De Young Museum in Golden Gate Park has opened its doors for the first time since the COVID-19 pandemic forced its closure in March.

On Tuesday, the museum welcomed back members, but will reopen to the general public starting on Friday. Ticketed reservations are required.

The museum is featuring a special exhibit with works from Frida Kahlo. Originally slated to end in July, the exhibit will continue through February 2021.

 

Building America’s Business Future

Securing Wealth and Health for all Latinos

 

The 2020 USHCC National Conference is the largest gathering of Hispanic business leaders in America. Each year, we bring together local Hispanic Chambers of Commerce, Hispanic business leaders, and corporate partners, to foster Hispanic economic development for the greater American economy. The safety of our members and guests is our top priority. We are hosting our first virtual USHCC National Conference in order to comply with Centers for Disease Control and Prevention (CDC) guidelines to prevent the spread of COVID-19. In this context, we merged our 2020 USHCC Legislative Summit with the 2020 USHCC National Conference to engage in policy-driven interactive discussions with America’s business leaders, members of Congress and the Administration, and other partners as we provide informational sessions on rescuing and growing your Hispanic-owned business during the COVID-19 pandemic, expand your relationship network, and advocate as one unified voice for our country’s 4.7 million Hispanic owned businesses.

This year’s conference will take place virtually between Sept. 27 and Sept. 29, 2020. We look forward to seeing you virtually soon!

 

Online series on the rhythmic roots of Afro-Latin music

Santos will be taking a deep dive every Wednesday evening Sept 23-Oct 14 from 6-8 p.m into a new aspect of the rhythmic roots of Afro-Latin music including Afro-Cuban, Afro-Puerto Rican, and Afro-Brazilian forms. Each live presentation will also feature selections from Santos’ legendary collection of audio and video recordings, including many early and rare recordings of the musicians and musical genres he’ll be discussing

The program is presented by the Museum of the African Diaspora in San Francisco together with the Yerba Buena Gardens Festival. Audiences pay what they can and should register on the Museum’s website for instructions on how to join the online audience at https://www.moadsf.org/calendar/

There is a week by week break down of the specific styles he’ll be covering on that page as well if you want more detail.

A 2012 San Francisco Latino Heritage Arts Awardee, born and raised in San Francisco’s Mission District amidst an extended family of Puerto Rican musicians, Santos has been at the center of the Bay Area’s Latin music scene for over forty five years.

He served on the Smithsonian Institution’s Latin Jazz Advisory Committee and has played an essential role in expanding Latin jazz’s rhythmic lexicon beyond the foundational Cuban grooves. He has produced a steady stream of critically-acclaimed, peer-respected recordings on his Machete Records label since 1984 and has travelled the world as a teacher and lecturer since the mid-eighties.

Known for his innovative use of traditional forms and instruments in combination with contemporary music, John has performed and/or recorded with masters such as Tito Puente, Dizzy Gillespie, Max Roach, Cachao, Eddie Palmieri, James Moody, Omar Sosa, McCoy Tyner, Giovanni Hidalgo, and Bebo Valdés. He is faculty at the California Jazz Conservatory, SF State University, College of San Mateo and Jazz Camp West and is an Advisory Board member of Oaktown Jazz, Living Jazz, and the Afro-Latin Jazz Alliance (NY), and a Trustee of SFJAZZ.

 

Online series on the rhythmic roots of Afro-Latin music

Compiled by the El Reportero‘s staff

 

Santos will be taking a deep dive every Wednesday evening Sept 23-Oct 14 from 6-8 p.m into a new aspect of the rhythmic roots of Afro-Latin music including Afro-Cuban, Afro-Puerto Rican, and Afro-Brazilian forms. Each live presentation will also feature selections from Santos’ legendary collection of audio and video recordings, including many early and rare recordings of the musicians and musical genres he’ll be discussing

The program is presented by the Museum of the African Diaspora in San Francisco together with the Yerba Buena Gardens Festival. Audiences pay what they can and should register on the Museum’s website for instructions on how to join the online audience at https://www.moadsf.org/calendar/

There is a week by week break down of the specific styles he’ll be covering on that page as well if you want more detail.

A 2012 San Francisco Latino Heritage Arts Awardee, born and raised in San Francisco’s Mission District amidst an extended family of Puerto Rican musicians, Santos has been at the center of the Bay Area’s Latin music scene for over forty five years.

He served on the Smithsonian Institution’s Latin Jazz Advisory Committee and has played an essential role in expanding Latin jazz’s rhythmic lexicon beyond the foundational Cuban grooves. He has produced a steady stream of critically-acclaimed, peer-respected recordings on his Machete Records label since 1984 and has travelled the world as a teacher and lecturer since the mid-eighties.

Known for his innovative use of traditional forms and instruments in combination with contemporary music, John has performed and/or recorded with masters such as Tito Puente, Dizzy Gillespie, Max Roach, Cachao, Eddie Palmieri, James Moody, Omar Sosa, McCoy Tyner, Giovanni Hidalgo, and Bebo Valdés. He is faculty at the California Jazz Conservatory, SF State University, College of San Mateo and Jazz Camp West and is an Advisory Board member of Oaktown Jazz, Living Jazz, and the Afro-Latin Jazz Alliance (NY), and a Trustee of SFJAZZ.

Celebrating our Community as Changemakers

¡VIVA MEDA! 47th Anniversary Celebration Please join us for a night of community and celebration at the 47th Annual ¡VIVA MEDA!

You’ll be treated to big-name speakers, messages of hope from community leaders, salsa music, a panel discussion … and so much more. There’s something for everyone!

We are proud to welcome two amazing Latina leaders for our FREE ¡VIVA MEDA! 47 Virtual Gala panel, “Joining the Movement as Changemakers: COVID-19 and Civil Rights in Communities of Color.” You’re sure to be inspired by Paola Mendoza and Mercedes Márquez. Our panel will be moderated by reporter Luz Peña of ABC News, KGO-TV San Francisco.

Remember to mark your calendars for Thursday, Oct. 1, at 6 p.m (Pacific time). That’s the night of our ¡

Ibero-American Culture Festival to be held in Cuba

by the El Reportero‘s news services

 

With the participation of representatives from over 15 countries, the 26th edition of the Ibero-American Culture Festival will be held from October 24 to 28 in Holguin, Cuba.

From its traditional headquarters, the Casa de Iberoamerica (House of Ibero-America), the event will meet through its different digital platforms, an alternative that has demonstrated the ability of culture to overcome challenges and adapt to the new circumstances imposed by Covid-19, explained Eduardo Avila, President of the Organizing Committee.

In statements to the press, Avila, who is also Doctor of Sciences, detailed that Mexico, Spain, Canada, Chile, Panama and other nations have brought recordings, articles and different presentations for the various scenarios included in the Festival, including the Ibero-American Congress of Thought.

Culture as a factor of resilience, is the theme that has convened national and foreign researchers to participate in this scientific space, deemed as the backbone of this annual event with Latin American and Caribbean roots.

Precisely, an essential purpose of the 2020 edition is to exchange about the artistic processes that contribute to safeguarding the most indigenous traditions of the peoples of the region, he pointed out.

SanLuis relives his best hits in “Toma2 Sessions”

Santiago and Luigi Castillo present “Toma2 Sessions”, the first in a series of concerts for YouTube that brings together versions of SanLuis’ greatest hits, along with others they wrote during their years on Voz Veis.

The three-time Latin Grammy winners continue to enchant their audiences with their beautiful lyrics and melodies as a duo, this time in digital format with “Toma2 Sessions.”

Historical songs such as “El Farolito” and “Como yo” will coexist in the same concert with “La ilusionista”, a song that they had the honor of writing together with one of their greatest references, Alejandro Sanz, and that, as a special gift to his fans premiered during this virtual event from La Castillera Estudio.

 

The latest news about Sebastián Yatra

He received a “Diamante” certificate – a rare recognition – for sales of his first single, he was honored with the “Inspira Award” during the Hispanic Heritage Awards, where he was also acclaimed for being the host of the ceremony during the national broadcast on PBS, in addition to giving a presentation.

Sebastián Yatra will release another single this Thursday, October 15 at 8pm ET, called “Ideal Girl”. That same day we will see the Latin pop superstar perform during YouTube’s special music festival, “Save Our Stages”.

Last week Latin pop star Sebastián Yatra received the Diamond Award, a rare certificate from the RIAA (10x Platinum) for his 2016 stardom single, “Traicionera,” in addition to being acclaimed. for his broad participation during the national broadcast on PBS of the Hispanic Heritage Awards where he acted as host, presenter and was honored with the “Inspira Award.”

Fito Paez will present La Conquista del Espacio via streaming show

by the El Reportero‘s news services

 

BUENOS AIRES, Oct 3 – Argentine rocker Fito Páez is currently working on his first live concert via streaming, which he will offer from the Movistar Arena in Buenos Aires on Nov. 1.

Newly nominated with this phonogram in three categories for the 2020 Latin Grammys, Paez will take the stage from 22:00 local time backed by his band after long months of self- quarantine since he was forced by the pandemic to cancel on March 13 a concert in his natal Rosario, just on his 57th birthday.

Although he has been very active and was even one of the first to open the privacy of his home to provide concerts through social networks, the author of classics such as ‘Yo vengo a ofrecer mi corazón’ ( I come to offer my heart) and ‘Mariposa Technicolor’ (Technicolor Butterfly) is preparing for his return, with a staging by the outstanding set designer Adriana Maestri.

Recorded at the Capitol Studios, Los Angeles, and with luxury guests such as Abe Laboriel, Paul McCartney’s drummer, Páez’s new album succeeds ‘La Ciudad Liberada’ (The Liberated City) in 2017 and features pieces such as ‘La Cancion de las Bestias’ (The Beasts’ Song), ‘Resucitar’ (Resurrection) and ‘Las Cosas que me hacen bien’ (The things that do me good).

India Martínez une su inconfundible voz con Marc Anthony

India Martínez, one of Spain’s most captivating voices, joins superstar Marc Anthony on “Convénceme,” a track that demonstrates the power and magic of Latin music. “Convénceme” is available from today on all digital music platforms.

The chemistry between India and Marc was captured in the interpretation of “Convénceme” and in the video clip, directed by Gema Lozano, where both singers delight us with the stage performance that they accompany with their wonderful voices.

India and Marc initially met through their friend Alejandro Sanz. The Cordovan sent the song to the New Yorker and he was immediately fascinated, with “the voice and the spectacular style” of India.

“I was captivated. It was one of those occasions that I had to listen to the song over and over again, “said Marc.” The sensitivity and the union of the pop ballad with those characteristic sounds of his, so from his homeland, the lyrics with that perfect balance between the romantic , the mystical and the refreshing… All that inspired me to be part of this new collaboration ”commented the singer.

For her it is like a fantasy come true: “I don’t know how many times I have dreamed of singing with him … It is clear that when you dream something out loud and throw it into the universe someone hears you,” said India. When she received the song with Anthony’s voice, India burst into tears.

 

Cuban musicians stand out in nominees’ list for Latin Grammy 2020

The tradition, sound, rhythm and flavor of Cuban music stands out today among the list of candidates for the 2020 Latin Grammys, with nominations from half a dozen groups from Cuba.

According to the information published on the official website of the contest, the Failde Orchestra joins the candidates this year with the Failde con Tumbao album, produced under the Egrem label, while the Aragon Orchestra performs with the Icon phonogram, from the Puntilla Music record label.

In this way, the Aragon Orchestra is once again among the candidates for the Latin Grammy Award, after its nomination in 2019 for participating in the Cuba Linda album, by the Dutch trumpeter Maite Hontele along with William Borrego, Roberton, Alain Perez and Osain del Monte.

Within the Best Urban Song section, the duo Gente de Zona is very noticeable for the ‘Muchacha’ track, made with the collaboration of Becky G and Angel Arce ‘Pututi’, under the label Sony Music Entertainment US Latin LLC and Magnus Media LLC.