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La Arrolladora premieres “Igual”

Theme that will be part of their next studio album

 

by the El Reportero‘s news services

 

With more than 50 songs positioned in the first places of popularity and after not releasing unpublished material in several months, the day arrived and today La Arrolladora is premiering twice with the release of its single and video “Igual”, a song written by Vicente “Compa Chente” Pérez, who is also a composer of other hits of the band such as “Cedí”.

“Equal” has lyrics composed of words in common use among the new generations, allowing the public to easily engage with the song and the story, as it addresses the current trend of fear of commitment to all its contradictions.

The video was recorded in the city of Monterrey, Nuevo León with Esaúl as the protagonist of this story full of contrasts, but which in the end are part of real life.

 

As part of ‘Reversiones’, a tribute album to ZOÉ

“LOVE” premiered in the voice of Mon Laferte

 

With more than 20 years of musical career, six studio albums – one more on the way – a GRAMMY for Best Latin Alternative Album for their production Aztlán and two Latin GRAMMYs in 2011, Zoé, the band will be honored in the tribute album ‘Reversiones ‘, in which artists of international stature will return to some classics of the group. This album will be available at the end of the year in physical and digital format.

Mon Laferte, one of the most important artists on the current music scene in Latin America, winner of the Latin GRAMMY for Best Alternative Music Album for ‘Norma’ and Best Alternative Song for “Amárrame”, premieres today the amazing and intimate version of “Love ”, One of the most iconic songs in Zoé’s career and which is part of her second album, ‘Rocanlover’.

‘Reversiones’ is an album that brings together Zoé’s successes in voice and unpublished versions by great personalities such as Alejandro Fernández, Bronco, Rawayana, Juanes, Los Ángeles Azules, Andrés Calamaro, Morat, Cultura Profética, Manuel Carrasco, Juan Pablo Contreras and Fela Domínguez.

 

The Bebeto gives us “I was so happy”

 

Hollywood, CA (June 12, 2020) – With a lot of feeling and at the rhythm of the band we have A El Bebeto who premieres today “Fui Tan Feliz”, the second preview of his album: ‘DE GUASAVE AL CERRO DE LA SILL ‘, a live production that will be released later this year.

On this occasion, the Sinaloan singer presents us with the ballad “Fui Tan Feliz”, a genre that fits perfectly, and with which he has conquered us throughout his career.

“Fui tan Feliz” already has its video, made in the city of Guasave, Sinaloa and that the public can now enjoy through the official EL BEBETO channel on YouTube.

 

County Arts Commission Awards COVID-19 Relief Grants

 

The San Mateo County Arts Commission is proud to award $168,600 in COVID-19 relief grants to 32 arts/culture and arts services nonprofit organizations to help them recover from the financial hit of the ongoing pandemic.

The 32 grants awarded range in size from $4,900 to $8,000. The Grants Review Panel evaluated 38 applications received with an eye towards those organizations working with under-served communities and/or whose work reaches a large segment of the county.

We are excited to share that Fuse Theatre here in Redwood City was a recipient and will use the grant to help guide youth on producing socially responsible plays.

 

Art Kiosk Presents: Tara de la Garza Monument to the Plastocene IV

 

The Art Kiosk at Courthouse Square is back! Tara de la Garza Monument to the Plastocene IV is available to view June 12 – July 5, 2020 at 2208 Broadway Street.

About the Installation

As we collectively grapple with our multiple crises, artist Tara de la Garza took this time to reconsider her installation. This allowed her to think more deeply about racial & environmental justice with hopes of creating a community dialogue through her artwork at the Art Kiosk.

Influenced by minimalist and constructivist artists such as Dan Flavin, Eva Hesse, Vladmir Tatlin, and contemporary artists Rachel Whiteread and Eva Rothschild, de la Garza’s ‘Monumental’ projects continue a practice of reusing materials and referencing modernist forms.

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